Our white whale Mr. Howard Stern joins us LIVE in The Hamptons. An amuse-bouche, a sit-down-Jimmy, two glass eyes, and the loss of all inhibition. Howard you doing? It’s an all-new SmartLess. Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to new episodes ad-free and a whole week early.
Good evening, ladies and gentlemen. My name is Mark Zito, and on behalf of SiriusXM, I want to thank you so much for coming out to Stephen Talkhouse for a very special, very intimate episode of Smartless. Here we go. Here we go.
Here we go. That's us. You guys. Hi, everybody. Welcome. Thank you for being here. You guys aren't really fans. You're friends of ours. So that's very nice of you to show up. Thank you, everybody. Drive all the way out here to Long Island. Pay nothing. Really nice. Pay nothing. Right?
Sit here and be like, all right, yeah, entertain us.
We're very excited to be doing, like, so we're going to do four live shows.
Every year.
Every year. You know, we're going to do the... We're open to less, Scott, but that's fine. We'll do the regular sort of podcast on the computer thing, right? What do you watch it or listen to it on? Whatever it is. And then we're going to do four live shows. This is our first one. Very excited about it. On top of that... We've got our white whale.
People would ask me, who have you not interviewed that you want to? Howard Stern. Because he doesn't do this, and he's the man.
He is the man. No, we feel very, very blessed that he, and we'll get into that in a second. Is that your intro? No. Yeah.
I don't have an intro. Sean's got an intro. Look at the cards.
I wrote a bunch of them. Hang on. I do want to say something. I'm like Fanning. Who's the little Dakota Fanning when she was a little girl? She was really overprepared in the best way. I did Cat in the Hat with her. Go on. Well, you got something to trim already.
The audience is riveted by that story. Fucking what? Dakota Fanning?
Well, she was really smart and prepared. I love that about her.
But everybody here knows who our guest is going to be, so there are not a lot of surprises. So there is one surprise that we do have today, just to kind of get everybody warmed up, to get us warmed up a little bit. Yeah. Something, Sean, you don't know about. Uh-oh. Yeah. Don't worry, it's not your dad. We still can't find him. It's so fun because he left. Yeah.
Top speed. Oh. You know, he came to the... The tears are still wet, huh? But I would tell you, he came to the last show of Goodnight Oscar in Chicago.
Yeah. Did I ever tell you that? This is kind of a sad story. I don't know if this is... Yeah. But anyway, we can get back to that again.
Keep going. That's a true story. He did, right? He came to the last show. I didn't even know he was there. Did he go backstage? No. No. It was wild. Go ahead. Did he have notes? Yes. Yes, he emailed them to me. That is pretty weird. Wait, did you see him? I didn't. My sister... Tracy? Yes, that's correct.
75?
And he just wrote back, Oscar Levant, just like I remembered him. That was it.
Isn't that, wow?
Anyway.
How long have you not seen him?
40 years.
And he's in the theater with you. You just starred in something. He didn't stick around and say, what a treat.
And then, wait. And then, and then, check this out. Two gay guys came up to Scotty in the audience, because Scotty was there. And they go, are you Scotty?
That's not the whole story? No. Okay.
They came up to Scotty and they said, they said, oh, I just want to let you know we live next door to Sean's dad and I understand they don't see eye to eye. Was that a shot at your mom?
For those of you who don't know, Sean's mom famously has one fake eye.
Yes. Hat, hat, hat, hat. Because hilariously she died.
So Sean should be an axe murderer, right? I mean, but he's... Let's see how this goes.
He's the nicest guy. He's the kindest. We love him. Oh, we all have skeletons.
Go ahead.
We all have one-eyed parents. One-eyed parents. So we do have one surprise tonight, just so, you know, to try to bring us out of the hole of Sean's upbringing. So I've asked the guy to come here tonight just to do a little something before we get going. Are you serious? I swear to God, yeah. He's an Emmy winner. He's a finalist on America's Got Talent.
He's been on the Jimmy Fallon program, amongst others. Is that what it's called, the program? It's called the Jimmy Fallon program. That's what the producers tell me. I don't know. There he is. Jimmy, thank you, Jimmy. Please don't stand up. No, please don't sit. Please sit down. Mr. Fallon. I beg you to sit down. Thank you to Sit Down. Love it. God, we saw the Olympics. It wasn't an intro, Jimmy.
We get it. You're on NBC. Yeah. And you own Wayfarers.
Yeah. By the way, Jimmy, on all seriousness, you were great in Jurassic World. I thought that was great. Down again.
Again, down. But he's done so many things. No, she's not here, man. She didn't make it. She's working on her stuff. He's one of the world's most sought-after mentalists. He's worked with clients ranging from A-list celebrities, heads of state, Fortune 500 companies. Guys, please welcome the amazing Oz Perlman. Just to kick us off. Do a little something special for us. What? I didn't know.
Not Dakota Fanning, unfortunately. I know. This is a surprise to Sean.
He was waiting for it to be his dad. I'm sorry, Sean. Wait, can I tell you something? Tell me. He sends me clips of you all the time. That's what Will told me. I'm obsessed. I think this is amazing. Sean legit doesn't know anything about this.
Sean has no idea.
This is wild.
Will, you have my phone number, right? Yeah. And my email address? Yeah, I got it all. I don't like clips of things. Do you know who this is? You're too grouchy. He sort of clued me into it. It's our smart list on Moose Boosh today, right?
Yeah, yeah. Wait, this is so cool. This is so cool. Here's what I do, Jason. Supposedly, I read minds, but if I'm going to know how people think, right? And you know what they're thinking at the same time. Here's Will's skill. Everybody, where are my smart list fans in the room? Come on. Where? Will notoriously knows dates years behind. Everything. You can tell him June 2006.
He knows what he's wearing. Jason can't remember what he had for breakfast today. Am I right? That's right. Sean Webby award winner. Best host. I thought you were going to say Sean ate Jason's breakfast. That might have been. Here's what I want you to do. I'm putting tasks. Putting tasks out there. You're going back in time thinking of somebody that these guys would not know.
Somebody from your past that they would not. You know what? Jason, go back in time. Think of the first girl you ever had a big crush on. Think to how old you were at the time. I got it. And tell them, because if I'm listening to this on my podcast right now, I'm saying this is set up, this is fake.
Before today and me asking you to think of her, has it been days, months, or years since this person popped in your mind?
Years.
Years? Yeah. They didn't even know it was going to be on the show. Count the number of letters in her first name just to yourself. No, don't use your fingers. Jason, I can see your fingers.
Okay, you're yelling at me. I'm fucking nervous that you're gonna guess it and I'm gonna be all freaked out. This is coming out at your time, Howard. Five letters, was it five letters?
Yes. I watched your eyes. Okay. He has not thought of this person in years. This is not set up, because if it was, it'd be going better. Tell us all, for everybody listening, I have written down, everybody in the room, don't say the name, but if you can see what I wrote down clear as day, everybody in the room say yeah. Yeah. Close your eyes for me, Jason. Close your eyes.
But if you get this, like, you're going to be in my life the rest of my life. That is what I do.
Because I'm never going to let you go.
Like a splinter that doesn't leave. Well, clearly you let her go, but go ahead.
You haven't thought of her in years. I wrote it down. Everybody in the room has seen it. How old were you at the time, Jason? Fourteen. Ooh, fourteen. And tell us, what was this young lady's name? Uh, Paula. And I wrote down, Paula, fourteen! For those who can't see Jason's face, he is in shock.
Yeah, like, why aren't you a trillionaire on Wall Street?
It's my former job.
Will, you're wasting this at Stephen Talk House.
I'm monetizing. We're in the Hamptons, Jason, trust me. I'm monetizing. Will, Will, you're back in time. You're thinking of somebody. Jason's shook up, by the way. I wish they could see his face and not just hear the text from his voice.
That's the most surprised his face gets, by the way. You know, what do you think your face is doing right now?
Smiling. It's very good when you smile. Sean, how about this? All right. You read his mind. You were so confident with Jason, and then you had no idea. He just sees cookies. Is there any way in the world, Will, that Sean knows who popped in your head when I asked you to think of somebody from your past? No. Okay. Take a pad of paper.
Yep.
Sean, here's the game plan.
Okay, I'm so scared.
I need you to act.
Good luck. Okay.
Sean, look at my hands, and can you tell everybody listening in, I'm going to pretend in a moment I have a crystal ball in my hand. Do I actually have anything in my hands?
Zero, nothing.
Everyone in the audience, is there anything in my hands? No. Sean will swear up and down that he saw a crystal ball appear in my hands, and in it, the name of your friend as a kid, or whoever this person is. Have you written down a name? I have. Can anybody see it right now other than you? I don't think so. Sean, look into Will's soul. And tell him, what name did you see in that crystal ball?
Tell him, before I walked in here, we've spoken a word in our life, Sean.
Never.
Tell him, who's he thinking of? Say it. Scott.
You fucking what? Turn around. Show the audience. Fucking what? I can't hear you in this room. Are we seeing the same show?
How is that possible? How is that possible?
Holy shit. That is unbelievable.
Thank you very much for having me, guys. Huge fan. Huge fan. Incredible. So, guys, how do you introduce a man who needs no introduction because he's one of the most famous people on the planet, plus he's on the poster outside? He's the king of all media, the interviewer of all interviewers, the winner of Best Hair in America... Four years in a row. He's a great artist, a great painter.
More sincere. Yeah, no, I lost my thing. And he is incredible. He's the most amazing person. And now his home for 20 years has been SiriusXM, which is now ours, which makes us roomies. It's the most incredible icon of all time, Howard Stern.
Ever. Yes!
Oh, man. You know, all my years in radio, nothing works better on radio than magic. Yeah, sure. You guys are on to something. It's a great note. I told you, Arnett, not a good idea. I don't want to come off like an expert. I've only been doing this for like 50 years.
You've also made Howard the second guest. When's the last time you weren't the lead guest?
I know, and I remember having Amazing Kreskin on, and the audience was amazed as I described everything that was going on in the room. The play-by-play was unbelievable. Yeah, he made a table lift, and I go, if you were here now, you'd see a table lifting off the ground. And people are like, no wonder this is such a great radio show.
First of all, welcome to SiriusXM, the glorious world of SiriusXM. I'm a huge fan of the company, so welcome. You know, I don't even know how long I've been with SiriusXM.
Since it started. You started it.
When I started, we had 200,000 subscribers. And I remember walking around in, I don't even know where I was, somewhere in Manhattan, handing out radios for free. hoping that someone would take one. And it was a harrowing experience leaving terrestrial radio and coming to Sirius, but it was the best decision I ever made.
And you weren't allowed to talk about it too, right? At the very end there when you're on terrestrial radio, I remember that.
Yeah, it was a very strange time in my career. I was on regular radio, and I somehow convinced them that it would be okay if I talked about the fact that I was leaving regular radio and going to satellite radio. And then they told me, okay. They said, don't mention Sirius Radio. Just call it something else.
So we called it... What you did for it, though, because we had all sort of heard that satellite radio was coming, and I was a little circumspect.
Which one are you?
You're Jason, right?
I'm Jason.
I was like, well, I don't know if I want satellite. I got to get a different radio. When you went to satellite, I was like, oh, it's okay now. It was like when Fincher went to Netflix.
It was like, oh. You do forget because things move rather rapidly. But it was a very strange time because there was an effort by regular radio to say what a failure I would be. And they were putting out that anyone who went to satellite radio, your career would be over, you would disappear forever. So there was this big campaign to discredit satellite radio.
But I knew deep in my heart that satellite radio would be successful. And now I look around, everybody's got a fucking microphone in their house. Everybody's on the radio. You three. I know, it's ridiculous. You want to hear the most aggravating things. But Howard, I do love you guys. A couple things. Jason and I, the only person I didn't know was Sean. Right, it's nice to meet you.
Nice to meet you, and I do want to ask you about your classical piano. All right, and I want to ask you about your guitar playing. Yes, I'm most impressed with your classical piano. Well, you guys will get some time after the interview. No, but here's the thing I want to tell you that annoyed me. Can I tell you this? Yeah, yeah. So Jason was over my house, and I have mad respect for Jason.
I think he's a fabulous actor. Incredible. One of the best. Wonderful guy. He's overcome a million. He's had a great time for you to call me Justin.
You hear the problems he's had.
Oh, he's had a lot of problems. A lot of fucking problems.
A lot.
And he still has a bunch. Yeah, he's got a lot of problems. Look at him. We could go on all day. But, you know, I'm talking to Jason, and I'm feeling very good about my own career and everything, and Jason goes, you know, man, it's crazy. We like started this thing out of our basement, like a radio show. And I'm like, oh, here we go. Yeah, cool. And he goes, yeah, we started a thing.
And like, it was just the three of us sitting around and we talk and we just crack each other up and everything. I don't know what's going to happen with it, man. But they're telling me it's like the biggest thing ever. Oh shit, I didn't say that. Oh yeah. No way. Oh yeah, you did. So I go, oh, this is great. Again, I spent my life like begging people to put me on the radio.
It was rarefied air if you even were allowed on there. You had to work on your voice, this and that. You had to work on the content.
You had to make sure you get people.
He's clowning around. Yeah, yeah. So listen, it's over.
What can I say?
You hide your bitterness really well.
Oh, I'm so bitter. So bitter. You talk about perfecting your craft. So how did you first meet the Whack Pack?
Oh, that's an excellent question.
It is. I want to know because you did. You found like the craziest group of people available and put them together. How did that come together?
Listen, when I was on the radio and it was brutal. In order to get an audience and to maintain an audience, every 15 minutes they take the ratings in radio. It isn't like this, like where you go, you know what, we have a lot of people listening. You know, it could be three people listening to this. Nobody knows, nobody cares. But you're on the radio and every 15 minutes they take ratings.
And what are you going to do to hold people's attention? But you found all these people like this, like kind of... But look, I found people that I was interested in. I'll never forget the day. I was on the radio and I took a little bathroom break and I walked by my green room. The lights went up. I'm looking at the room and there he is. Beetlejuice. Beetlejuice. Jason, you ever hear my show?
In high school, I listened to it a lot. There was a guy named Beetlejuice who's very popular, even to this day on the internet. It's insanely popular. Right, right. So, you know, I said, this guy's a star. He's going to be fantastic.
Be quiet so they don't hear it. Shh. This guy's going to be a star.
This guy's going to be a star. And sure enough, he was. No, I mean, I was always looking for interesting people.
I have a question about that. Early on, where did you get the balls to not give a shit about the consequences of what you were saying and what you were doing on air? Where do you get that from? Because do you think you would have that now if you start your career now with the same personality since we live in cancel culture? Go ahead. I believe I was technically insane.
I mean, I don't, I can't even.
Like self-sabotage? Like you had like this level of indifference?
No, not self-sabotage. Well, here's the truth. In my family, words meant nothing. My mother would say actions only mean anything. And I guess I took her literally. Yeah.
Howard, what would you consider would be the sort of the turning point in your career where you kind of broke through? Because, again, you started, you had all these, you sort of, you keyed into this kind of thing, you know, with odd characters on your show. But what was the turning point where you felt like you broke through to a bigger audience?
I had a miserable failure in Detroit. I got hired to be the morning man at WWWW in Detroit, which are the worst call letters for a radio station. I get on there and go, WWWW Detroit W4. I don't know what I'm doing, so I... I was hired to be the morning man. I had had some success in Hartford. Not a huge success, but success. And I got hired in Detroit.
And there was a radio consultant who said to me, do not go to Detroit. There are four rock stations. And out of the four, the one that they want to hire you at, dead last. Nobody even, I would go to parties and people would say, what do you do for a living? I'd say, oh, I'm the morning guy in W4. They go, oh, is that station still on the air? Nobody listened to this thing.
W4 was a short version of WWW.
W4, Detroit's W4, the worst station. So yeah, I went on the radio in Detroit. It was a tremendous failure. And I said, what am I doing wrong? And I sat with it, and I thought, I've got to really just, I guess, lose all inhibition and admit to everything and just see where that goes. And when I went to Washington, D.C.
You kind of hit bucket. It was like it was not going great, and you was like, might as well throw it all against the wall.
But I have to give the credit to also Robin Quivers. I met her in Washington, and she was phenomenal.
Yay, Robin.
The chemistry was great. And a program director put us together and I went on the air with her and I started to become very confessional and people respond. We shot up to number one in a record amount of time. Because it was real and honest.
And so that was the moment when you started getting really real about your own life that started to change it. Yes. And did you, did you notice being real about your life because so much, you know, anybody who's listened to the show knows that you talk about what's going on in your life, what you did on the weekend, you, new haircut, new clothes, whatever it was.
Wait a second. Talk about, I was masturbating at least three times a day and talking about it.
I was trying to like, my kids are here, so. Oh, sorry.
And I'm not sure there's been a new haircut.
How many do you have exactly? I mean, we're looking into it, but the point is. We got to find out. The point is, is. You talked about, you talked about so much about your personal life. Was there a point where talking about your personal life hurt your relationship? I don't mean necessarily even romantic. I mean, hurt relationships because people were nervous about talking to you at a party?
Well, it hurt everything. It hurt my... But I didn't care. All I cared about was my job.
Right.
keeping that job and getting audience and ratings. And that is a disaster for your personal life.
But do you wave at somebody on the street and go like, hey, and they're like, fuck, man, I don't want to say hi to him because I'm going to end up on the show tomorrow.
Yes, I mean, people, not only that, I went through a very strange period in time. I don't want to get all heavy about this because everyone knows this show is not heavy. No, no. We're going to make you cry before you're out of here. Okay, well, I'll do that. What it was is that I was very insecure about my career. I wanted this thing to take off in the worst way.
And so I even had a policy about... I stayed in my home after I did my show. I never went out. I was insane. So I didn't want to meet anyone in show business because I was talking on the air about a lot of people. So I just stayed in my house. I planned the radio show, did it, and went home. And the stuff I was doing was so outrageous and so entertaining to the audience that it blew up.
I mean, in New York, we had 25 million listeners and one out of every four cars on the Long Island Expressway was listening to me. Wow. And it was pretty phenomenal. But you have no... But... I had no life. Don't applaud. I had no life. But Howard... Where's Bradley Cooper? He's so good looking. But Howard, that shifted. If I looked like that, I wouldn't have to go on the radio and say shit.
And we will be right back. And now back to the show.
Howard, that shifted though because, and it was about, I'm going to say almost 10 years ago, maybe a little bit more, where you started hanging out with a lot of people and your life changed. And you became kind of one of the people that used to talk in a certain way, right? Not one of the people, but you became friends with a lot of people. I did. And you allowed celebrities into your life.
You became friends with people like Jason Bateman from TV and film, who we all love.
Well, my dream was to be friends with Jason Bateman.
Sure.
There's only one way I'm going to get this guy.
It's our dream, too.
It shifted. Like, I remember back in the, I mean, years ago, you remember I used to call Chevy Chase's house all the time. I used to drive him crazy.
I told you I was insane.
I know. But then it changes because you have to meet those people, right, out in the world.
Well, Chevy ended up coming to my wedding, which is even more important, and got up to make a beautiful speech to myself and my bride, and then stated to the audience that I had given him herpes. Wow. Which was really weird. But I loved it.
But your audience is bigger today than it's ever been, and you're not doing all of those sort of shocking things. You're doing measured, deep... conversations, long-form interviews with very sophisticated people and like, so.
Well, because I think any good performer, and you guys are great performers and you know this, you must evolve. The show, you know, I used to say this. Now, Rush Limbaugh, forget the politics. You know, he had a very big following, but it was the same thing every day. You could predict what he was going to say.
Some people like that because it's like comfort and whatever.
Comfort to them. But for me, as a performer, I felt I want the show to be funny. I also want to be able to interview people. I want it to be broader. And I made a conscious decision. to shift the show and change it around.
And to me, it was way more exciting because the common thought was, well, Howard will go to satellite, and now the show's gonna be so fucking filthy, and everyone's gonna be out of their mind, and the strippers are gonna be able to fuck on the air.
Did you miss those constraints?
No, no, the constraints, by having the constraints off, I said, well, then it's no longer funny.
Exactly.
Regular radio was funny. The government was trying to shut me down. That was drama.
And that's fun. That's tension, right?
But then I got to satellite. The tension wasn't there. So what do you do now that you have the ultimate freedom? And I decided to shift the show. And I ultimately am more interested in the show now than I've ever been.
I would say that it would, in a compliment to you, that it was less deliberate or contrived or strategic for you to, oh, let's switch it up now and give the audience something they're not going to expect. I think it's, and I haven't known you for, you know, a thousand years, but...
it does seem pretty obvious that you have naturally just evolved into a more curious, serious, not as a pejorative, person who's interested in different kinds of questions and with different kinds of people.
Let's make it simpler. It would be really creepy to be my age. and still doing a show the way I did it when I was 30.
But you weren't doing it as a ratings ploy. You were being sincere and genuine.
I thought I was funny. Yeah. And I always had this idea that we could be really funny on the radio, that radio didn't have to be a bastardized medium.
No, but I mean now. Now it was not a ratings ploy.
And now it could still be funny.
And you are, hands down, the best interviewer in all of media.
Thank you.
It's true. Without a doubt.
Take the compliment, Howard. King of media.
I'm taking the compliment. My psychiatrist said you should be able to take a compliment. This is what I'm doing.
It doesn't matter whether it's comics or athletes or musicians or actors or whatever it is. You question them for us. as us, and it's a layman's point of view, and it's very curious, and you're listening, you have a bunch of fucking cards with questions on it, you're engaged in a conversation, and it was a true inspiration for us. It really was.
Sean is holding up all his cards.
By the way, let's let Sean get a question.
He wrote a thousand. Come on, Sean. I literally, I have pages of them because I don't know.
Sean and I don't really know each other.
That's why I wrote all this stuff down, and my research of you, because I am a big fan, I found all these things that we actually do have in common growing up, issues with our dad. You don't like Italy, which you just went with Jimmy Kimmel. I didn't want to go either. Right. We're going to get, I want to go to Italy with you. Wait, wait, wait. Stop bullying.
Like as a kid, I was bullied too, not for being Jewish, but for being gay.
He's going to get to the question. I was, oddly, I was bullied for being gay and I wasn't.
That's crazy.
I got bullied for everything.
I'm not gay. We're sorry to see you leave. Leave that side. You seem very gay. But the thing that I thought was fascinating, my mom had a glass eye, your dad had a glass eye, and neither one of us was allowed to talk about it.
Can I ask you a question? Can you wait one second? Is your mom still alive?
No, she's dead.
Okay. My father died two years ago. I know. I'm sorry about that. I want to ask you a question.
This is a what would you do.
Forget these other two guys. I'm asking you because you had a mother with a glass eye.
Yeah.
So my father had this glass eye and I could go into that for three hours.
Same.
Right. Same. There's so many things. It's so fucking heavy.
It's so great. But it's also funny.
But when he died, I was given a box of his stuff. Yes.
And it...
What do you mean, oh? I told you, you shouldn't have an audience with this guy. By the way, the same... I open up the box.
Yeah.
Of course. It's my father's glass eyes.
Wait a minute. The same thing. When my mom died, my sister passed it around and repackaged it. Each one of us, we open, oh, we got something from my sister. It's my mom's fucking eye.
Here comes the question. Here comes the question. Yeah. So I go to my wife. I say, I got this eye.
The great Beth. Beth. My beautiful Beth. Beth Stern. Where is she, honey? Where is Beth? Oh, there she is. Oh, there she is. Oh, I love you so much. Hi, Beth.
Nice to meet you. I've heard such great things. So anyway, here's the thing. So I turn to my wife and I say to my wife.
Yeah.
You know, I don't know. I go and I open it up. And my father's eye was such a taboo subject. My father never talked to me about anything.
That's right.
And one time I asked my mother, does dad have a glass? And she said, listen to me. You, that's your father's story. Don't ask me. And I'm like, what the fuck? I was a kid. How old? Okay, here's the deal.
How old were you when you still didn't know whether your dad's eye was glass?
No, they wouldn't talk. And did it blink shut?
Did it blink shut or did it stay open? Did it blink shut or stay open?
It stayed mostly open and also things wouldn't form up. You needed to confirm?
My mom wears kind of shades, sort of like tinted glasses.
It wasn't a confirmation of the glass. I wanted to know what happened with my father.
That's right, yes.
But I wasn't allowed to ask. My father would blow up. Everyone was afraid he'd get really angry. He'd throw that eye at you. He could.
Yeah.
But here's my question. So now I have the eye, and I said to my wife, I need to find that. I can't just take my father's eye and throw it in the garbage. There might be laws against that.
I don't know. Are there? I don't know. Wouldn't you want to save it as a keepsake?
No.
No, no, no. Beth, where is it? It's a cat toy now. She's got it in a locket around her neck. She brought it here for you guys.
So she says to me, throw it in the ocean. That's beautiful. Imagine my father's eye watching that.
Your dad's never seen the ocean.
He loved the ocean. So what did you do with the eye is my question. What did you do? Well, I got it sitting in a box. Yeah, of course you do. You're not tossing it in the fucking ocean.
No, you're not. You brought yours on stage. My mom, so same. We weren't allowed to ask about it. Irish Catholic, same as Jewish. You just don't talk. Right. You stuff it all down. So there's our headline, Irish Catholic, same as Jewish. Absolutely. That's the title of this episode. And so my mom... There are a few differences between Irish Catholics.
Just a couple.
But not gays in shoes. Right. But so my mom, we weren't allowed to... So my whole life, I was like, I'd be at the store, and this checkout girl at the counter would be like staring at my mom's eye. I'm like, Mom, they're staring at your eye. just shut up, right? So then 10 years old, 20 years old, 30 years old, 35 years old. Finally, I'm like, mom, what happened to your eye?
And she still didn't want to talk about it. I found out after she died, she had cancer in the eye. They took it out two years old. And then as she grew older, this gets really gross and funny. As she gets older... She gets... My sister and I read the medical reports. They took skin from her vagina to reshape her eye as she grew older.
And then my oldest brother goes, I knew when I got upset with her, I wanted to fuck her in the eye. God. Wow. It's true.
That's it. This show has to be canceled. They're ridiculous. That is very offensive.
I made a terrible joke about that once a long time ago, but I'm not going to repeat it here.
By the way, we're all talking about being honest. That's an honest story. That's a true story. And that's us making jokes about painful things.
Her complaint after that, she thought that everybody looked like a cunt, right? Isn't that what she said?
Did you famously say that? When I was a little kid, I was five years old, there was a kid on my block, five-year-old kid, came up to me and said, my parents told me your father has a glass eye. I was so freaked out. We got into a fist fight. It's probably the only fight I ever won. I beat him up. It was crazy. But I could never ask. My father wasn't approachable like that.
That's why it was so much mystery. Did you ever get the story? Yes, I did. It was a crazy story. You don't have to share it. What happened was I was so curious about the eye and everything, about my father, because I didn't know him, I would sneak into his room and they would leave the house, which was infrequent. Nobody ever left my house. And you would, you know, so...
No one could figure out the lock.
My father kept his eye with his porno. Wait, what? My father had porno, you know, like he had some erotic books and things. If you met my mother, she's not exactly putting up. My mother once said to me, you know, I prefer to be celibate, but your father has knees. I go, really? That's gross.
But fucking somebody in the eye.
It was books, no movies, no tapes. It was books back then, and the books were wacky, but the eye was staring at me. I wanted to read the erotic books, so I was all freaked out about it, the eye.
She pops it out to go to sleep.
I don't know what went on, but in all seriousness, I finally talked to my mother about it. She wouldn't tell me, but I broke her down, and it was a terrible accident when my father was young. He put some film in a bottle, and the bottle exploded. He lit it. and it exploded in his eye when he was a little kid. Oh, wow.
Yeah, so, and my father had a fabulous attitude about his eye in the sense that he, I didn't see any evidence that he saw himself as handicapped, you know, he did his thing.
Was he just proud? Was that the thing he just didn't want to?
I think it was a big pain, you know, for him in his life. Seriously, a seriously big pain, you know.
Wow. And, yeah, it was a big issue. My mom would sleep, you know, her eye was constantly open, so when she slept, she'd be like, You know, like this. And I would approach the bed, and I'd be like, Mom? Oh, she's sleeping. Oh, no, she's not sleeping. Oh, she's awake. Like, I didn't know whether. I'm like, can I get a glass of water? Oh, I don't know. Oh, you're sleeping. Like, it was constantly.
Just like that. It was crazy. And then we would. Where is the eye now? My sister has it in a box.
Is it like a timeshare? Do you get it? No, but do you get it?
Like, if you want it for the holidays, you.
Yeah.
Yeah, sure, I could do it. She could pass it around. One really quick question.
I've said this on the show before, but we used to take, my mom used to go bowling on Thursday nights, and we used to go upstairs, we used to invite friends over, and we'd have a chain on the door, and we'd go upstairs and get her extra eye, she had two, in the box, and we'd get her, and they'd knock on the door, knock, knock, knock, and we'd open it just as much as the chain would go, and we'd stick the eye out and go, who's there?
With the eye...
I wouldn't have risked that in my house.
That's fun.
Yeah, it is fun. It's fun but dangerous if you knew my dad. Tell me about Italy and Jimmy Kimmel. Did you like Italy? I know you didn't want to go.
I'll give you an exclusive. And this is the most boring answer ever. It was actually a bad question because I loved it. I don't have anything to bitch about.
You didn't think you were going to love it.
I don't like to travel. I'm perfectly happy sitting at home. And if I want to see Italy, I'll go on the internet and look at pictures.
I went to Paris once and I was like, the Eiffel Tower. And I saw it. I'm like, got it. Ready to go home. It looks like the movies and the postcards got it. It looks the same. Yeah. We had a great time.
Did Jimmy and Molly somehow convince you and Beth that this is going to be great?
No. I had said, you know, my wife wanted to travel, and I wanted to be a human being. I mean, I can't be in a marriage, and if my wife wants to travel, I can't say, well, go ahead.
Once a year, she gets out.
So you go, and we ended up having a very romantic time, honey, right? Romantic. Romance was in the air. romance happened, and... Barely confirming that last night. Poor woman. Imagine, you know, think about it.
That was a nod.
Imagine, you know, imagine me crawling on top of you in Florence. I mean... Okay. It's like a praying mantis attacking you. So I felt for the woman. I did. But she's a good sport. She took it like a champ. Jesus Christ. I felt horrible. I felt horrible. But, honey, it wasn't so bad, right? It was over quick. You're the king of the insects. You're like, whoo. Yeah, yeah. It's like, ooh.
Like the fly, brindle fly, you know.
Mm-hmm. Howard, is there any one interview you have that you regret? Is there any one that you're like, oh, many, many.
What's the one you regret the most? Well, because I was an asshole many times. When I was on regular radio, terrestrial radio, whatever you want to call it, I didn't have the faith that if I did an interview that my audience would hold. We had something like a 10 share, a number one in New York.
And I thought, well, if someone comes on the air and they're talking, I could hear the radios clicking off. That the only thing that might be compelling is if, you know, I was doing my thing.
Right.
Which means I was not trusting of other people that other people might have talent. So there were people, and I've written about this, The fabulous, most wonderful Robin Williams, for example, came on my show. And I just was ridiculously insulting. And why? Because I was trying to be funny. Robin Williams is way funnier than I am. Let him be funny.
But being the insecure child that I was, and somehow having some connection with an audience where I was intuitive and thinking I could hear when they're turning off the radios, if somebody gave a long answer or wasn't moving fast enough, the rhythm wasn't right, I could hear the radios clicking off. And so I really had no business having guests on.
It's funny. You're really honest about that in your self-assessment of that time in your life now that you're older. And is that just a result of getting older or is this a result of doing a lot of work?
It's a result of leaving terrestrial radio and going to satellite. It suddenly dawned on me. I work for a company now that has 100-something channels. As long as the person who's paying for a subscription is happy with the product, and if they're listening to me and I'm doing a long-form interview, and if it's not their cup of tea, they can go to a different channel on our service.
And that freed me. That liberated me. Because it wasn't about me necessarily holding the audience. The pressure. If you enjoy listening to Robin Williams, great. Then we have you as a listener. But if you don't, there's a million other choices on satellite.
But don't you also find that your agenda is no longer to provide a show for your listener, but instead perhaps you hope that the people remaining listening to you on that particular day happen to be as interested in the person you're talking to as you are. In other words, you're not... That's right. Yeah, and it's a more honest sort of, you're not pushing, you're not pressing, you're just sincere.
Yes, but you couldn't have done that. If you guys started your radio, let's say you started a career in radio back in the day. This format would not have lasted. It would not be on the radio. It doesn't hold an audience en masse. Jimmy Fallon's sitting in our audience, right? When he does an interview, he can't do an hour interview.
He's got to sit there because he's dealing with televisions coming on and off and on and off. We're in a unique position. The period of time we're in right now has allowed us to sit here and have a real conversation, and we can play to a niche audience. And so, you know, not to get too academic about it, radio, the old format of radio is gone.
And I recognized that when I came to satellite, and I felt that was the innovation. I could sit and have a real conversation with someone like Robin Williams. And I have regrets. Interesting. Yeah. The format... help me to evolve.
Right. I have an actual question for Jimmy. You know, seriously, seriously, no, to that point. No offense, but I think I'm the interviewer. You'd be great.
I guess I just haven't delivered the goods. Jimmy, why don't you take over? This always happens.
Why don't you get up and do a few Gilbert Gottfried impressions? Go ahead, pal. It has everything to do with what you just said, which is Johnny Carson used to have long, long, long interviews, 20 minutes, half hour. And so, Jimmy, I was thinking about you because you're one of the best at what you do. Thank you for standing.
Have you ever had discussions about what Howard is saying about instead of the six, seven minutes you do, oh, right, you don't have a microphone. Uh-oh, he's coming up to the stage. Here we go.
He's never going to leave.
You know that. Once Jimmy comes on. They got a mic for him now.
Look at the Fallon mic. I love this.
I love it. I love it.
Yeah. Come on, Jimmy. God bless you. Come on, Jimmy. Can I leave now?
No. Did you ever have the discussion about changing your format to do kind of where this feels like it's going, which is long-form interviews as opposed to six, seven minutes? You can't.
No, you can't do it. I wish that I could do a longer interview with certain guests.
But yeah, but I do wish that I can get into it and talk for an hour I'm jealous when I you know can can listen to you when you hear a real conversation Yeah, I love it because when it gets going it's great and even with it with an audience like I said like this is we're loving this But here's the good news you when I'm in the mood for what you provide and what Kimmel provides what Colbert provide You guys do it better than anyone the other guys Focus
But when I'm in the mood for a long-form thing, it's like there's no one better.
Thank you. How much do you choose? Thank you, Jimmy Fallon.
One Gilbert Gottfried impression, for Christ's sake. I just want to say, my wife, my beautiful wife, Paula, is in the audience. She dated you when you were 14. You haven't talked to her in a couple of years.
Give her a call. Paula Chablon. I love Jimmy very much, by the way. I want to tell you. We love Jimmy. Who doesn't love Jimmy Fallon? I'll let you in on a secret. And Nancy Jovonen. Oh, Nancy's the best. Jimmy and I are going to go camping together on a beach, and it's just going to be the two of us alone. Jimmy, right? We're going to be in a, what is that called? An RV? An Airstream.
Wow. I'm not going.
He thinks I'm going to go.
How many of your guests... Because one of the other things that we get to do is we get to choose... We reach out to people that we're interested in talking to. Right. How much of that do you do and how much of that comes in through...
We reach out to some people, but mostly, and this is probably to our detriment, but I don't want to have a lot of guests. We keep a limited amount. I think some of our strongest shows are when we're just sitting and doing our own thing.
Yeah. We'll be right back. And now back to the show.
I have to say, I tried to be a guest on your show for so many years. I kept asking my publicist every year, just hoping, like, are things good enough in my career where maybe I could be?
It wasn't bad.
No, no, no. But my publicist said, listen, Jason, we got news back. It's good news, bad news. Good news is he says he's a fan. Bad news is he says he just genuinely really has nothing he would like to know. No, no, no. I'm paraphrasing. But it was absolutely true.
You know what I was like? Honestly, and I've said this to Jason. I said, look, I could Google you and find out enough stuff. I don't really need to sit and talk to you. What have you done? Stop it.
No, no, but seriously, it's much more interesting talking to somebody who's got, like, a weird, fucked up... Here's the thing.
If I did a show every day where I just interviewed one guest, that would be fascinating to me. But there's also an audience in my group that likes to hear us doing, you know, bits and shtick and, like, sitting and talking, Robin and I just talking, and I recognize that. So I don't overload the show with a lot of guests. But sometimes we do reach out, like...
You know, I wanted Joe Biden on, so we had him on. And I wanted Bruce Springsteen. I begged him to come on. I just wanted him to come on.
That's a white whale.
It was unbelievable to be sitting in a room with Bruce, and he's doing a concert, basically, and talking about how he creates songs. So, you know, we do reach out, and there are people I just love talking to.
Do you miss playing music at all? Like being a disc jockey?
No, it never was about music. You know, it's weird. I play music and I talk over it. Yeah, yeah. So, you know, it's like I can't... Playing, when I got into radio, I was a disc jockey, you know, straight disc jockey. My father would say, first you must learn to be a straight disc jockey, not all that nonsense you do.
So I went on the radio and be like, hi, this is Howard Stern, WR&W, progressive music from the woods. And this is Crosby, Stills, Nash & Young. And so, you know, we would do that. And I hated it. I hated it. Even you had to segue, you had to play a record and make sure there was no dead air.
You had no autonomy. You couldn't launch bands. You had to play.
Oh, no, no. I played whatever I wanted. But it was horrible. I mean, it was a lot of pressure. You had to get the commercials lined up. It was just you in a little room in a house somewhere up in the woods. These were these shitty radio stations, $96 a week. And you played records and you announced them. And this is what I did. And I was the worst at it. I was the worst.
There were no performers in my family. I didn't understand performance. I was not in show business. My father even said, you cannot be a millennial.
You have no elocution. You do not enunciate. You read nothing.
You did have some sense that you... I had no sense. I was an idiot. You had a sense that your personality might be halfway entertaining. I didn't know.
Between that and the music... When I'd walk around college, nobody seemed to pay attention to me. I think I had the worst personality. You had no confidence that you were going to be somewhat compelling at all. I would write letters to my girlfriend saying, I will be the world's greatest radio performer.
Why did you think that?
I have no idea. I don't know. I just knew that there was something there.
So you weren't always this charismatic? You weren't always this comfortable in talking?
No, it took me years. That's why I resent this podcast. You guys are just out here talking. I had to spend years. I had to spend years. It took me 10 years just to get conversational.
It was very slow.
You guys are too talented. No, but in all seriousness, playing records was horrible. Were you a fan of music, though? Oh, huge fan of music. You know, music meant more to me than religion. I never got a thing out of religion, but man, when I'd hear the Beatles or the Stones or George Harrison, you know, My Sweet Lord, that stuff, that spoke to me.
That moved me, and I was happy to launch a lot of bands. I was a program director for a while, and I didn't even understand. I didn't know anything. A guy from a record company would call me up, and he'd go, would you play our record? I'd go, sure. He goes, no, no, no, I'll play it for you. I said, you don't have to play it for me. I'll report it to Billboard. I didn't care.
I was happy to help somebody out. Did you get starstruck around musicians? I admire musicians, and I know how hard they work at it.
But is that the group that would, if anyone was going to get you starstruck, that or athletes or musicians? Oh, yeah. Yeah, yeah. Who? Who's the one that you haven't met you'd be like, uh-oh, I can't talk?
Oh, geez. Is it a Beatle? Well, I've met Paul and Ringo, and they were great on the show.
Do you want to take a temperature of the room about the name The Beatles? Do you guys know about this? Old Captain Brain. What happened, Will? Let's take an honest thing of the audience. I didn't know my whole life. I thought it was the insect, the beetles. I didn't know it was people who make beats. B-E-A-T. Clap if you were with me. Thank you.
Did not know that until right now. I didn't know. That just sucked the air out of the room.
I want to thank the guys for that story.
Have you noticed the arrow in the FedEx logo?
Yeah.
I don't know what that means.
All right, here's one you didn't know, Sean. Sean, here's one I guarantee you you didn't know. Yeah. You know the place you go for roast beef, right? Arby's, right? Yeah. Why is it called Arby's? They got the meat or whatever they say. No. No. Think about it. Why is it Arby's? Roast beef. R-B. Roast beef.
I didn't know that, but I put it together.
Oh, Arby's. Arby's. Oh, I see. Did not know that. Look at Will.
We could do this all day long. This is going great. Speaking of... Now, wait. So, speaking of... What is happening?
Really glad I came on. By the way, these guys treat it like it's a TV show. I'm in a trailer. I'm waiting to come on. No. There's a warm-up act for the audience. I don't know from this. You just go on the radio.
First of all, I don't think we've said it yet. I can't thank you enough for doing this. You don't do this. I've seen you do it for Letterman. I've seen you do it for Kimmel. You don't do this, and I can't thank you enough.
This is a really, really... Thank you.
Happy to be here.
We really do, and just so you're not just hearing it from Jason, that you are the gold standard for us, and you're the guy that we always wanted to get. We talk about you all the time. Yeah, and... Honestly, this is a big deal for us.
Well, I'm really honored. And Will, much to your point, for many years I couldn't take a compliment, but I do appreciate you guys. I got a new one for you. Okay.
Everybody knows you're recently 70. It's unbelievable.
It's so fucked up. No, no, no.
You have not changed.
Oh, God.
Beth, back me up here. Like, what are you guys doing? I know you're not out there, like, running 10 miles on the beach every day. Is it just jeans? I mean, you look exactly the same.
I look terrible.
No, no, Howard.
The only thing I will say... Do you not look exactly the same for the last 30 years? I can't even see a picture, but I will tell you one thing. I do not color my hair.
No, I know. I can tell.
You don't? I don't.
This is it.
And I have a gray beard. He doesn't either. You don't color your hair, right? No.
But you don't have... You're supposed to have like a belly.
I do have a belly. I have a belly and tits.
You're supposed to... Everything's got to...
I got a belly and tits, right, honey? You've seen me with my shirt off. She's busy talking. By the way, Sam. You want to go turps off?
You want to go turps off? You want to go turps off? No, no, no. But you don't look like you ache or you're sore. I can't fucking. I'm a mess. No, no.
No, you're not.
You seem like you're in great shape. Are you doing anything that we need to know about?
Well, first of all, I paint. Let's get into that. I do. Well, yeah, I do. I paint. I like to paint.
It's incredible, the painting here. I don't know if you guys. Does people know? Okay. And the photography. It's like. Thank you. And the tiny sketching with the magnifying glass. I liked it.
I don't use a magnifying glass. No more? No, I never did. I never used a magnifying glass.
I saw your drafting thing.
There was something... Yeah, I have a big magnifying... But I don't use it for that. Really. I'm just telling you. But it was there.
I mean, I'm not fucking crazy.
No, it was there. It was there. It was there. But yeah, I enjoy those things.
I mean, it's really cool. When did you start playing guitar?
Okay. So... Short version. I'll tell you why I play guitar. I'm going to blame Jimmy Fallon. You going to jam with Jelly Roll tonight? No, no, no. Is Jimmy here tonight? Jimmy, stand up. There we go. Jimmy Fallon. Jimmy Fallon says to me... You've got to be kidding me. Here's what happened. Ten years ago, I turned 60, and I said I either want to play the guitar... Yeah.
...or I want to learn to paint. Oh, and you did what? I never drew. I never, you know... For some reason, I wanted to paint in the worst way.
So that's all in 10 years.
Yeah, I began to study watercolor, and I really focused on it. And you know as a pianist that you just have to focus on it. It's not that people have some sort of natural ability. It's the work.
You have to work at it. People go, oh, I don't have that. Sean's been focused on the pianist his whole life. Yeah. And I'm an expert.
Just two laughs for that.
I thought that was pretty good. It's a tough freaking crowd. We'll sweeten that in the edit. It's okay to laugh.
But, you know, anyway, I enjoy those. But I applaud you wanting to research and find other things. Not that you are older. No, this is what it is. But that you pursue things that still challenge you. Somebody your age is willing to do new things, is what you're saying.
Well, it's true. And by the way, that fucks my head up. Because what I said to my wife, I want to learn guitar, but I feel foolish because of my age. Like, what am I trying to do here? I don't want to be a rock star. I just want to understand music.
Challenge yourself to a new hobby.
Because I love musicians, and I love what they do, and I want to understand that language. Let's do a duet sometime, piano and guitar. Do you play minuet and G? I do. All right, then we can do it.
Are you playing classical guitar?
No, but I don't play questions.
Yeah, he started 12-string guitar, man.
No, no, no. It hurts the fingers, though, doesn't it? Well, look at the tips of my fingers. Look at those calluses. Oh, my God.
Yeah.
How much are you playing a day? Well, I'm on vacation now, so I can play. From guitar? No, from work. I'm on vacation from work, so I can play some days five, six hours. Really? So you must be good now. I'm not good.
Who's your favorite guitarist? Oh, Jesus. Just name one of them. A few of them.
Well, I mean, you got to say Hendrix. You got to say Jimmy Page. I mean, Jimmy Page. Now I have even more appreciation for Jimmy Page.
Yeah.
I was playing one of the most beautiful love songs, Thank You, by Zeppelin, and the intro to that. And you sit and you realize this guy wrote this. Yes. Excellent. Excellent. Thanks, guys. Was that you singing or playing the guitar? Keep that applause up. But you realize how brilliant it is. And in order to get to that level, you've got to play every day for hours and hours.
And I'm mad at myself because when I was younger, I didn't allow myself to practice music, which Sean did. He was smart about it.
Well, when I was younger, I had so many, I don't know why I reacted this way, but so many adults, when they found out when I was like five, six, seven, eight years old, playing piano, practicing, they'd go, oh, you know what? I wish I would have stuck with it. Over and over and over, all these adults telling me that. So I was like, there must be something to that.
So that's what made me stick to it.
Was there a fork in the road where had you stuck with that instead of radio, you wouldn't have been that?
No, radio, it had to be radio for me.
So it was never like architecture or... I was five years old.
No, I announced to my family, I will be on the radio, which was ridiculous. It doesn't make any sense. I don't understand it.
But your dad was a sound engineer, right?
Yeah, well, he was a radio engineer.
A radio engineer. So that part of it made sense.
Yeah, but listen, my father didn't spend a lot of time paying attention to me or interacting with me. And I used to sit... Mine did. Well, I would watch him. He was focused on you. No, but he would... When I would see him commuting to work, and he'd put the radio on, and Bob Grant was on, who was this conservative broadcaster, but the guy was mesmerizing on the radio.
And I saw the way my father listened and shushed me, told me to shut the fuck up so he could hear Bob Grant. Shut up! I said, so that's how you get someone's attention.
Get on the radio. You did it to get your dad's attention.
I think so, yeah.
Sorry, just to follow up on that, if you don't mind, Jesus Christ. Do you think, what was the moment where your dad, I mean, obviously you had incredible success in radio. Was there a moment where he, like, was there an actual moment where he went, holy shit, Howard?
Yeah, I think my mother put him on, you know, he just went, he just said, oh, okay, I love you. My father grew up in the Depression. He had nothing. When I say nothing, it was literally like no shoes. His father worked in a sweatshop as a pants presser. My father was a very deprived guy, and he didn't have a lot of room for emotion.
I think he probably had a lot of bottled-up emotion, but he couldn't express it, and he didn't know how. He didn't have the facility. But I would have loved to have known my father.
Why do you think you're so well-adjusted? I'm not. I'm a mess. I'm still with the psychiatrist.
Beth wouldn't be with an idiot. I didn't say I was an idiot. I said I'm fucked up. Honey, come up here and tell people I'm fucked up. Please come up. She says I'm a lot. Honey, please. You don't want to come up?
Do you think, do you, well, but like, I don't think that people know, like, if there was one misconception of you, do you have any idea what that might be? I mean, I don't know, but I will say that for me personally, given... your edge of humor, it was really exciting to get to know you a little bit and see how incredibly soft and chewy you are on the inside.
How incredibly sincere and genuine and attentive you are.
But what I said was, you know, it was unfair. You used to go around saying, oh, well, that's an act on the radio. It was. It was who I was.
I had a lot of anger. But there's a choice to, like, not be fucked up and just know how to manage that.
Yeah, but my attitude about radio, and I say this over and over again, was... I just want to make people laugh. I want people to have a great time in their car. If it's a compelling interview, great. But if I'm sitting there and I'm being really funny and I'm doing something good, Well, you know, that's what I'm trying to do. So I never did anything out of malice.
I did it because I thought I was genuinely funny. Was I genuinely funny? Sometimes, sometimes not. You were speaking the truth.
You know, your observations were spot on. I was speaking my truth. But it was sometimes painful for folks, and that was the funny part.
Part of that, being honest, though, I remember when you spoke about your health scare about having a little spot on your kidney. Thank God it was nothing. Right. And that was, you revealed like, that was one of the first, one of the few things that you did not share with your audience because you've always been so open and honest with your audience about everything. So what is, where is that line?
And is there anything? I'll tell you why. And you guys probably know this from, from doing this now and having a popular show. You know, if you go on a radio and you say, listen, I could potentially, I have this thing and they're telling me it could be cancer, a 95% chance. You start to get letters from every know-it-all in the audience. Listen, my mother died. You're fucked.
You're this, you're that. And I'm neurotic. I am neurotic about my health. I don't want to know. Where's Bradley Cooper? I just want to look at him. Come on. Come on, Bradley.
Sit up. There he is. There's Bradley.
Look at that. Son of a bitch. So good looking. He's gorgeous. I love Bradley Cooper. I don't mind saying it.
We all do. No, no.
There are people. Sean doesn't love him. He told me about him earlier. Bradley, I love you.
Can I tell you a Bradley Cooper story?
We'd love to hear a Bradley story, if it's positive. One of the greatest moments for me on the show, because you asked about people I interviewed. I was interviewing Bradley, and at the time, Bradley had just finished a run on Broadway.
The Elephant Man.
Brilliant, brilliant job. Absolutely brilliant. And I am a fan of The Elephant Man. And Bradley's so serious about The Elephant Man. He has a serious Elephant Man hang-up. He goes, you know, I just want you to know I don't joke about the Elephant Man. I said, I'm not going to joke, but I would like to do the Elephant Man for you. And I would love if you would come back as your Elephant Man.
And so I said, oh, you're so kind to show me. God of kindness, so beautiful.
And Bradley looked at me and I said, he's either going to walk out and he goes, And we had a moment where we were both the Elephant Man immersed in our character. And it was one of the single biggest highlights. Radio magic.
That is. Radio magic. Look it up. You got to act with Bradley.
I got to act with Bradley Cooper. Very few people, you know. This guy's one of our best actors. He is. Rarified. Without a doubt. One of the greatest filmmakers we've got. Maestro is incredible. That's right. And when he saw... He was so inspired. Tell him, Bradley, how good I was. He loved it. Never saw such acting. I've had no training, by the way, as an actor. What? That's right. That's right.
How many times did you audition for private parts?
Yeah, because I was going to say, you want to know something about private parts? Here's the funny thing. What a movie, by the way. Thank you.
Howard, it's a great movie. Thank you. It is. It's so good.
But I've got to tell you a funny story about it because this leads into it. It's insane. So, you know... Closer to the mic, please. So, I wrote the book. I wrote the book, and I had no clue when they said they wanted to make a movie out of it. How am I going to make a movie out of this thing? Betty Thomas? Before Betty, I was involved in writing some of the scripts.
We had other writers and this and that. There were 25 full drafts of this thing, and each one was worse than the next. And my agent at the time, who just passed away, Don Buckle, but he said to me, these scripts are so bad, you'll be laughed at. So the movie studio said, listen, Reicher Entertainment put up the money, and Paramount was the distributor. And so they said, listen, this is crazy.
The money that we're spending on these writers and you're not accepting any of these scripts, we're going to hire Jeff Goldblum to play you since you won't do that. No way. Is that true? Great Jeff Goldblum, by the way. I looked him in the eye and I said, you know what? I would pay to see that. I would love to see Jeff Goldblum as Howard Stern. I think it would be terrific. But anyway.
At this time, was there a plan for you to play the part? And they wanted to actually go another direction?
No, but they were so frustrated with me because I had written into the contract. And again, this was my agent's brilliance. They couldn't make the movie unless I had full script approval. And I wrote half the scripts and they sucked.
That'd be so great to just shoot some scenes today with Jeff Goldblum. Absolutely. From, right? And just put it on the internet? Yeah. That'd be a lot of fun. You want to know one of the most thrilling things in my career?
Speaking of that. And then we got to go. Oh, you got to go? No, after that. No, you got to go.
After this. You have a hard out. You have a hard out.
You people are really tough about that. I have a hard out. Yeah. No, I do? Yeah. Oh, yeah, yeah. I'm very busy. I have to go home and paint and play the guitar. I'm busy. No, I sit at home and stare at the wall, and Beth looks at me. She's not allowed to leave the house.
Will you go home tonight and just turn on the TV?
Oh, yeah. I've got the advance copy of next week's Bachelorette.
No way.
I cannot wait. Do you watch Traitors? Do you watch Traitors? No. I'm Bachelor Nation all the way. Anybody else with me? Look, Jimmy Fallon's with me. Bradley? Sure. Well, these people have a life.
I love it. Bradley, you do not watch that. Amanda loves it.
6.30.
Yeah, we're done. We're out. We've taken up way too much of your time.
Way too much of your time. You're very kind to drive us. By the way... Do you feel we were a success? Yes. This is a great rehearsal. Oh, my God. We're going to record... Honestly.
Everybody take a nice break. We'll record in about 20 minutes. What do you mean?
Great rehearsal. What are you recording? Tell me. This is a rehearsal. Is the show actually over? Do I leave and then you keep talking? You're going to leave and we're going to do a little wrap up. We're going to talk about you a little bit. A wrap up?
Yeah.
We're going to talk about how great you are once you leave. Maybe I should listen in. I'll sit here. I won't stay at work. Go ahead. Let me hear what you guys do. And I'll tell you what I'll do. Every once in a while, I'll interrupt and I'll just go, that's not good radio. Or that's really good radio.
Do you mind if we cut your mic? Not at all.
I was a judge on America's Got Talent.
I know.
Fantastic. By the way, the guy who did the warm-up today, they had a warm-up. O's. Yeah, O's. I wanted him to win the entire season. He did not win that season. He should have. He's fabulous.
He's amazing. He's phenomenal.
O's Perlman. You know what you can... A name built for show business.
Here's what you can do. Let's get better than that. While you're being quiet and pretending that you're not here when we're doing... No, I'm not going to do it. If I have to be completely quiet, I'm not doing it.
All right, you can talk a little bit, but I want you to think about... I will do that under protest. We might embarrass you if you stayed and heard how much we were going to praise you.
Can I say something about you guys?
Yeah. Okay.
This is going to hurt.
He's got to be kind.
Thank you for having me. Thank you. I'm very excited that you're part of the SiriusXM family.
We are too.
I wish you a lot of success. Thank you. Not too much success, but a lot of success. Sure. And no, seriously, it's great to have you guys in the family. Thank you for blessing us into it and by doing this. I understand the Sirius stock is going to go over $2.90 now that you guys are here. God bless. I can't wait. Oh, that stock. I'm going to be so wealthy.
You guys, please help us thank Howard Stern. Thank you.
Great Howard Stern. Thank you.
I can't get out of my chair.
Howard Stern, keep it going. Keep it going. The one and the only. The king of all media. Radio, podcast, television, film.
He is the king of all media. They had to raise the ceilings of the talk house just for him. Yeah. All right. That was surreal for me. I've never met him. I didn't ever get to talk to him. Was he what you thought he was going to be? Yeah, I was really, really nervous. I was really nervous. Was he what you thought he was going to be?
Yes, I thought that... How was he different than you thought he was going to be? I didn't know he was going to be so relaxed and easy to talk to. And so great, right? I thought he was going to be like, so what do you guys got? Let's see what you guys got. And he wasn't like that at all. Because he's the king of all of it.
But he was also incredibly generous and empathetic and probably knows that we're nervous and we're dumb and we have a new show and he's the king.
That's why I have 75 cars.
Tremendous amount of candor. Immediately he took the reins and helped us and he started talking.
And you wrote so many questions because you were so nervous, right? Sean was upstairs and we were like, what the fuck? It's an hour.
Any questions you didn't get to that we should listen to?
tons tons anything you're really pissed you didn't get to let's see I mean we talked about a lot I want to talk about Italy a little bit more and like his vacation like what's his ideal vacation we'll bring Jimmy on and talk about that okay anyway so I love him though I've been a huge fan and by the way I didn't share with you guys the first time what are you looking at
Nothing, I'm just trying to think. I feel like you're working right now. I am, I am. Can you feel it coming? Yeah, he starts to work on a vibe.
So you can see his brain. And he tees himself up for it.
Right. So the first time.
But it's too early to do it now. We're still doing wrap-up. We're wrapped up. Okay, we're wrapped up.
We're ready to go. And we got jelly roll coming up, which is so exciting. Oh, yeah. Oh, so here's the bun. So the first time I was ever here in the Hamptons was only like two, three years ago. Okay. And that was the first time ever. And I stayed with Will at his house, which is not very far from here. Okay. This is going to be terrible. This is going to be horrible. Dude.
And Will lived so close, so I was just going to ask Will, today, did you drive yourself over here or did you ride your... Bye. Bye. Bye. Bye.
Jesus Christ.
For the live show?
Sorry about that, guys. Sorry about that. But the interview was fun, was it not? It was really fun.
Thank you guys for coming. Thank you so much for coming, you guys. Thank you so much. Bye.
Thank you, guys. And let's go enjoy some Jelly Roll.
Yeah, Jelly Roll. Please stick around for Jelly Roll. Jelly Roll is performing out there. We're so excited. Thank you, guys. SmartLess is 100% organic and artisanally handcrafted by Rob Armjarff, Bennett Barbico, and Michael Granteri.