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Fantastische Wissenschaftlichkeit – Der Podcast

FW#53: Lego House, Perfect Days, Sco Fo Audoi Quoz, Harald Bluetooth

144.341

Zum Glück für uns.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#53: Lego House, Perfect Days, Sco Fo Audoi Quoz, Harald Bluetooth

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Vielen Dank.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#53: Lego House, Perfect Days, Sco Fo Audoi Quoz, Harald Bluetooth

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Like ships in the night, here in Palestine, we got this right.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#53: Lego House, Perfect Days, Sco Fo Audoi Quoz, Harald Bluetooth

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Wien sei sie.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#53: Lego House, Perfect Days, Sco Fo Audoi Quoz, Harald Bluetooth

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Rhyme.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#53: Lego House, Perfect Days, Sco Fo Audoi Quoz, Harald Bluetooth

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T-Z-Z-K-A-B-N-A-M-T-M-E-W-A-H-U-A. Scher-Z-R-E-K-N-E-M-S-M-E-W-N-E. Scher-Z-R-E-K-N-E-M-S-M-E-W-N-E.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#53: Lego House, Perfect Days, Sco Fo Audoi Quoz, Harald Bluetooth

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Sir Argantadurkdajanaxis.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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And the nice thing about these artists that my bot finds is that the lyrics are very often entered here.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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That also helps me in the preparation, because then I can fly over pretty quickly whether there is still any nonsense in it. But in that case, I think it speaks to us from the soul. We just talked about acoustic phenomena and psychoacoustics and how difficult it is to listen to people. Yes.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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And I still have to learn the hard tour. Sometimes I'm ashamed to ask for the third time, but especially if you could look into my eyes that they might drift in one direction or another. My strategy was, I just told you, to just stare at the mouth. I don't know, do you think all the other people are also so fixed and look where the other people are looking at the conversation?

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Nice try, but I don't know, you might get the linguistic quality of Martha. I'm always very jealous.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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For example, I see people looking at me in certain areas of the face. where a pickle is or something like that. And I think to myself, my eyes are up here, not far.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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It's not a person, it's a cat. Because I read that when they look at the wall, they just hear noises that we can't hear. For example, a water pipe or something. Or the neighbors.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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One of the two devils who sit on my respective shoulders.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Oh no! Oh no! And I'm already doing it with... I thought that would be the neutral point where I look in.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Because as someone who deals with eyes and two-eyed vision and three-dimensionality, I noticed that People always look at you in one eye, they don't look at you in both. And then I thought, okay, I'll break through this terrible habit and I'll stare at people on their noses. And that means I've kind of now all... slightly driven into madness?

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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It's been a long year for the fandom.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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...spent a lot of time. And I overcame that today and you said, oh, I don't know anything about science. And so don't worry, we have something special planned. Today there is a music special. That means we talk relatively little about futuristic and science fiction that we encounter in everyday life, but we listen to music and talk about it in between.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Cheers to fantastic science with a Harry Potter sampler. Or a Harry Potter-inspired sampler. And it's also a Christmas sampler called Jingle Spells 6. So maybe it's even the sixth edition. From The Leaky Cauldron, which I think we already had here in the show. In any case, under the license, Creative Commons, attribution, non-commercial and no derivatives.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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That was just the Fangirl Riot Fellow Fandom Winter. In the background is Miranda Pufskin in Godric's Hollow. And I think that's extremely funny, because it's just a Christmas song and at some point the last word just comes, Harry. And I inspired you to go to Bandcamp Give the people money.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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It's better to have Bandcamp Friday, because Bandcamp doesn't get anything from them, who now belong to bad, bad companies. And I think here it also applies to good, non-J.K. Rowling purposes, namely, yes. That's the opposite of what J.K. Rowling says. How do you feel about Harry Potter? How do I feel about Harry Potter?

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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It's in me so much that I had to hold back not to say anything. Yes, yes, I know. I saw it in your eyes flash.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Yes, the previous song is also about how to deal with something like that. And it's amazing how... Not clever, but how... Clever is a strange word. How many different ways people can take it back for themselves, where it then... is okay again, in big quotation marks, because what is okay and what is not okay, hey, people, read.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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And as always, this is music that my robot, my bot, found on Bandcamp. And it is free music under Creative Commons license. That means the copyright is a bit different. This is music that is designated as such in order to be able to continue to use it for projects. And I will always announce what the license conditions are. And how does this selection come about? I mentioned the robot.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Oh, yes, yes, yes.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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It's a paratactical acronym. Look, that was almost like such a generalized linguistic term, because it probably doesn't exist at all, but it sounds too realistic. Yes, yes. You see, you don't even need Chatty, but then you come to KUBI, Bay Fantastische Wissenschaftlichkeit, the show for... Futuristisch ist im Alltag und so. Ja, ihr könnt ja so bald einen Podcast zusammen machen. Chatty und Kubi.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Oh nein, nein, nein. Dieser Podcast ist übrigens KI-frei. Ja, ja. Ich finde immer schöne Themen und dann gräbst du ein bisschen und dann merkst du so, oh, programmiert mit der Hilfe von Claude und so und dann You have to be tough. Also no AI-generated music here. Not allowed.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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I think, yes, let's continue with this song, because that is probably in one way the most handmade thing I've heard in a long time.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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At some point I noticed that there is a lot of Creative Commons music on Bandcamp. So Bandcamp is a portal for Music for artists who can upload their stuff. People can pay for it. Please do that too. And there is a field for licenses, but the search engine that is installed there cannot search for a license. That means you would have to click through. And I'll let a machine do that.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Yeah, it's a fakeout. Hello, back at Fantastische Wissenschaftlichkeit, the music special episode with Rick. Hey. Thank you for being there, by the way. I didn't even imagine it. Were you ever in this episode or were you only in the last episode, the predecessor episode called Coop Show?

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Du musst auch mal vorbeikommen, wenn Martha da ist.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Du bist ein Wiedergänger und du bist außerdem, machst Kunst, machst Machtest. Podcasts. And you do drawing.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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That's right. And linguistics we just learned in the last podcast.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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You have with Mike, Mike was already in this show, presented his book, it was a fantastic show. By the way, you can listen to all of them on our website. Auch sieben Tage nach dem Hören immer in der Radio Blaue Miniathek. Da kann man das auch als Podcast abonnieren und so. Uns separat dann auch für immer, immer und immer, immer. Und ihr hattet einen Podcast namens Hattet, Habt.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Transphilosophisch über Trans und Philosophie. Richtig. Und ich habe den sehr gerne gehört, weil es eine gute Mischung aus Ernst und Blödsinn? Blödsinn mit Blödsinn, wenn ich so Alltagsquatschen, so wie wir das hier auch versuchen, das Highbrow-Lowbrow zu kombinieren.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Und jetzt, wo du tatsächlich angefangen hast, Philosophie zu studieren, guckst du auf die 100 Folgen, die ihr gemacht habt, zurück und denkst dir, ich habe alles mit Pythagoras verwechselt.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Did you at least learn fancy words that help you think about things in a different way? Linguistic philosophy and stuff like that.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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An utopian design based on the language.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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And if you want, you can also follow this machine on Mastodon. Links on our blog www.fantastische-wissenschaftlichkeit.de. It posts a new album every two hours. Just a few days ago it exceeded 10,000 albums. This whole list is also published on the website, where you can search for licenses and tags. Unfortunately, the science fiction tag doesn't produce much. Too bad actually.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Do you know how much I have to cling to this would have and would have and would have a certain word not to say? But that's probably the number one thing that follows me when I can't sleep. Yes, but the thing is, I think, you can already tell that talking about this kind of philosophy is actually totally boring.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Or to listen to music that deals with that. And I wish the first track would fit, but it's actually... Well, a counter-design also says something. We heard Nicole McCarver with the track Fas-Mo-No-Ya. That sounds like a word you could have learned. Eudaimonia and stuff. Yeah, yeah, of course. And ontology. Nicole McCarver comes from Springfield, Missouri. Has a nice comic song in her banner.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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The album is called House of Fogged Over Mirrors. So the house with the mirrors on which the steam sticks. Condensed. Wow. And in which you can't look inside. Wow. Nicole McCarver describes this album as a collection of instrumental tracks I made on August 1st to 3rd 2020. Don't expect this to be great, as this is my first musical output ever.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Music is a shoe I will grow into and I hope that at least one person enjoys this album. And I think we've already done that, because we both thought it was pretty good. Yeah, it's really nice. And it also reminds me of the first time I had music software and a few sample packs in my hand. By the way, I'm in a very impressive studio room with such zaps on the walls.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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So I'm not at Radio Blau, but here in the outside studio Wedding. There are also so... Pyramids on the wall and there's a big 88... 88? buttons. Probably. I've never counted. And I have a microphone stand in front of me. But I'm sitting on a really comically small table. Especially on a comically little chair. That comes with it, because I mean, I have to sit on it.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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So, and then we heard from Balkanist Discourse from the album Last Dance. Also from the U.S.A., from Chicago. We heard a track called Resin Bowls Sa-Ti-Tom 1974. That was this guitar... how do you say it? I'd say a twang, but it sounds so harmless that it's not. We'll listen to it again soon. We'll listen to Mandy, which will be a bit more jazzy. Here, by the way, I have to add the license.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Creative Commons Attribution No Derivatives. So, for commercial products, usable, but not remixing. Leave it in this form. And before that, the first attempts were under Creative Commons Attribution, not commercial, share alike. Remixes allowed. Alright, let's go. And as I said, here again Mandy from Balkanist Discourse. We'll be right back with fantastic science.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Too bad actually, it's a lot. At some point I built in that I can exclude certain tags from the search. There's a lot of doom metal, a lot of ambient stuff. Ambient is, I think, easier to produce than more refined music.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Yoko Geishu!

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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I think we hear that in the background as well. In my opinion, this is one of the more interesting types. And now we come to what I threatened. I have to announce which music is playing and then I have to say which license it is, because otherwise I would violate the license requirements. And that wouldn't be nice. In this case,

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Hey, uff, das endet plötzlich. Zurück bei fantastischer Wissenschaftlichkeit mit Kuba und Rick. Heute mit weniger fantastischen wissenschaftlichen Themen, mit weniger futuristischen und science fiction, was in unserem Alltag beginnt, sondern einer Musiksondersendung. Und wir haben gerade eben Musik gehört von Lil Figurative aus Nashville, Tennessee.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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from the album History Repeats Itself like all music on Bandcamp from my bot found here under the Creative Commons license attribution so you just have to say that this is from Lil Figurative and you can film it for your projects otherwise podcasts parties television shows Abschlussbälle. Praxen verwenden, ohne der GEMA was zu bezahlen, sondern läuft einfach. Nur sagen.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Hinstellen und sagen, das war Lil Figur.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Mein Bot findet selten Hip-Hop. Stimmt nicht ganz, aber selten kommt Hip-Hop in die Sendung. This is one of those cases where I think to myself, my goodness, people, they just do it for fun, put it in for free, you can still use it without paying anything. In this case, for example, there is no field where I can say, here, donate 5 euros.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Or something like that, but it's just what people do because they believe in the good of the world. Very well produced. Oh, maybe still with the warning always in advance. I don't think people always know what this field means when uploading to Bandcamp. That means, maybe they upload it under a free license, but it was intended and not meant that way.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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That means, before you put it into your practice, your film, check it out, write it down again and so on.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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I've practically never been rejected when I've flagged something, especially when you say, hey, this is a very small show here in Leipzig.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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And you don't get any complaints.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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I don't get any complaints, but sometimes I get ghosting. So people actually, especially guests that I invited and said, hey, can I interview you? And they just don't reply. And I don't take it badly. Maybe they googled us and so on. Hmm, did you actually have guests in your podcast?

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Habt ihr die immer abgeklärt oder hattet ihr einen Fall und du musst jetzt nicht... Habt ihr genug, dass es anonym sein könnte, wo es nicht ganz so gestimmt hat? Weil ich in der Vorgängersendung hiervon, gab es schon so Fälle, wo ich dann... I thought, oh, who did I invite here?

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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is actually the absolute basic license that Creative Commons provides, namely by attribution, that is, with the mention of the artist I have fulfilled it. And the artist's name is Vivienne Ash. The album is called The Process of Disappearing. Wow. And the song is called Hadal Sludge. So a hadal slug. You know it. I'm not quite sure what hadal or hadality is. From New York or at least the label.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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And it's okay like that. Better like that than when it's published and we'll notice it later. Exactly. Let's hear something from here. Figurative. Yes, that was great. That was really great. And the tracks are all about two minutes long. That is... I also think the album is a bit conceptual, because all tracks are named after years and then in brackets something else.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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We just heard 1973 in brackets Glasses. It starts with 1970 and ends with 1985. And I have the hard assumption that Lil Figurative These years were probably born after that. So another interesting look back maybe. Here too, you can read all the lyrics. Cool. This also makes it easier for us at Radio Blau to work, because we have to make sure that nothing is a big challenge for hip-hop.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Nothing violates the statutes of Radio Blau. But in this show it's not a problem, because it's mostly the people we choose here. And people who put this under free decency, then the chance is greater that this is also cool. Sometimes not. We now hear from the same album, so to speak, nine tracks further skipped to 1982 in brackets, Purge.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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It's sometimes not that easy to read what the label and the artist is. Here is also another name, Seraph with leadspeak. And there is a Ko-Fi page, so you can leave a few dollars or euros behind. And before that we also heard from Rachel Underspoon. From the album Non-Binaural. Do you get it? So not binaural. Binaural means... Is that called stereo or is that a little bit more?

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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And back to Phantastische Wissenschaftlichkeit. Hey, almost. I already told you that the software I use here to make the show is all open source, by the way. has just acquired the ability to stop playing after a track. But then you have to remember to press the corresponding button so that it is also the case. And I said, she just acquired the ability. No, three years ago. I noticed it.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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I made the effort today to hack it in, to compile it. And then I saw the code next to it. Stop after the song. Then I looked into the issues of the software on GitHub, where code is published. And I saw the issue that I posted three years ago, where the programmer of this software says, No, I don't think that's something I'll ever implement. I just did it a month later.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Hey, thank you anyway that I can use this here. Aqualung is the name of the software. Otherwise, by the way, we might also use time for shoutouts. Ardour, the whole thing runs on Linux. on the jack audio server. Cadence Katja for the plumbing, for the clamping between the programs. And we use the Carve plugin suite so that our voices sound better. Yes, thank you.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Thank you to all of you who give the software for free, just like the music is also given for free, for free with stars, under a free license, Creative Commons, in this case attribution. And here, in this case, the musician also says very explicitly that it is under this license and reminds us that We should read the copyright license again so that there are no surprises.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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It's on their Bandcamp page. And the license, Creative Commons attribution, I follow by saying that it's from Le Morte d'Abi, so The Death of Abby. The album is called... 0P2, Op2 maybe. Also from Nashville, by the way. A musician who works a lot with synthesizers. In this case it's a Korg. Korg with presets. Op6. Does that tell you something? You also have a synthesizer, Rick.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Like the people who collect comics and then leave them in the original packaging or collect toys in the original packaging.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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That reminds me, that reminds me. Hey! I also had a saved eBay search, as it was called back then. You could also write relatively complex queries. So it contains fisheye, but it doesn't contain so-and-so fisheye or ... I can't think of a good example. But you couldn't just say a few tags or simple words, but also filter exactly what you want to search.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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At some point I satisfied my 17-year-old collector thing, because a few years later you have more money, maybe not always, but in my case more money than my 17-year-old self. And then it was a nice feeling, but at some point I think I had to get rid of it, put it into the world and so on. Did you sell Synthesizer yourself and did collectors, people you knew would never play it?

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Yes, the similar result came with my fisheye lens, which you will find out at some point. Sometimes it was called Soligo, sometimes it was called Kenko, sometimes it was simply available under seven brand names. Someone did his branding on it, but it has the same optics and they are all just as bad, I think.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Exactly, probably intended for a slightly hypnotic effect. Rachel Annerspoon from San Diego, California. Synths, guitars, vocals and samples. No gods, no masters, no genres. Slay. The tags definitely indicate genres here. And that is a more complicated license. We have here Creative Commons by NCSA attribution, not commercial, share alike, i.e.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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I also notice the description here. I think the presets are behind the tracks. I didn't name the track. It's called 0PX. It starts at XIV, so at 14, and at 20 it has another monomeric story like the last album. And there was the preset Tech Rhythms and Mixwell's Hot Sauce. The vocals are missing. And before that they were called Dark Sci-Fi and Tropical Pop and Neo Soul Stream.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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I guess that's a Korg preset, right?

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FW#52: Creative Commons Musik Special mit Rick

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But I was looking forward to it. I just got that on the track. I think I've never had light sticks in my hand at a party, but I've already seen them in my hand.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Is that a revival?

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Piercing from first principles. Exactly.

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FW#52: Creative Commons Musik Special mit Rick

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I'm afraid that's just very...

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FW#52: Creative Commons Musik Special mit Rick

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When I say postmodern, you can also hear that I don't have any pop protection on here. Postmodern. Excuse me, dear listeners. Well, we often discuss this topic. Science fiction that tries to be genuine, never been there, is either insanely rare or doesn't exist, because how do you want to ... Then you really have to throw a random generator and that's often not that interesting.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Yes, and what was it fed from again? With which data?

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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Science Fiction usually only talks about what's out there now in a bit of friendly clothes. And friendly clothes can hardly relate to clothes. It's hard not to get stuck somewhere. At the latest with the form of two hoses that hang on top of each other. I don't think we can get out of this.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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In short, just do what you like.

Fantastische Wissenschaftlichkeit – Der Podcast

FW#52: Creative Commons Musik Special mit Rick

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In addition, we hear from Alex Walton in Loving Perpetuity. Wow.

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FW#52: Creative Commons Musik Special mit Rick

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under the name of the artist, not commercial use and pass under the same license. That means, I have to announce who it was, this podcast and this radio show are not commercial, they are even anti-commercial. And under the same license, our podcast actually stands under this license. It's a bit more complicated, I've read about it. It's a kind of collection.

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And very carefully back to Phantastische Wissenschaftlichkeit. I don't think there will be any more surprises in this track. No, all good. We heard from Dear Laika. The track is called Granite. From the album Vision of St. Cross. Dear Laika from Cold Ash, United Kingdom. Young woman singing the music. Great description. I can also see the lyrics in front of me and they are dark.

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Um, but also nice. Um, under the license Creative Commons, attribution not commercial, share alike, extension under the same license, name naming not commercial, I already said that in German. Here the special edition of Fantastische Wissenschaftlichkeit, music special with Rigg. Hey, Rigg. Um, before that we had heard Alex Walton, Alex Walton, He's always on this show.

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I think he also has a label called Youth Against Satan. But I don't think it's as Christ-like as it sounds. From Boston, Massachusetts. That was the album Our Desire Lacks Knowing Music. It's too complicated to understand right away. And we heard from Alex Walton In Loving Perpetuity. Maybe I already said that. It sounds like I already said it. In the background, by the way.

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That's not the room tone here, but we have a remix. We hear a remix. I think I have to open the page first, because I don't want to take it too quickly. Released on Delicate Records. A label from Illinois. That's where the track gala ended. You heard it, right? I think I'll mix it in a bit louder.

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And collections made it even easier for us. It's complicated. We are allowed to talk about it and that doesn't falsify the license that it is. Well, it's unlikely that these people will find us here at some point and won't complain anyway, but maybe complain and then I'll say, oh shit, oh no, sorry, sorry, sorry. By the way, Shit.

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Delicate Records is an independent record label dedicated to all things alternative, alternative rock, electronic. The album is called Two Minute Silence. The artists are John Lennon and Yoko Ono. The first one is the original. But it's a kind of EP with three remixes of Two Minute Silence. Track 2 is Nightcore Remix. It's just 1 minute and 28 seconds long.

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The third one is Two Minute Silence Elements Mix. Two minutes to remix. The fourth one we just heard is Home Demo. Do you get it? I do.

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It's very funny. Written by John Lennon Yoko Ono. Produced by John Yoko and Phil Spector. So we're out there. I just saw the very good Lindsay Ellis video essay about Yoko Ono by her. Did you recommend Lindsay Ellis to me? No, I don't think so. But you recommended me to just watch things on YouTube.

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And I thanked her and then continued to hang out and then ended up with Lindsay Ellis, who talked a lot about... Disney did Bösewichtinnen. And now, like our mother, Country Points, they only release something once a year, because it's produced on such a high level. But it's worth waiting for it. It's just a bit heart-breaking.

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Or you could just subscribe to Patreon and then the tangents to other topics that feel like they come out every week. You got me. I started with the... Let's Plays, you don't call them that anymore, but the Twitch... Twitch streams.

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You don't call them Let's Plays anymore?

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People film themselves playing computer games and you see them in a small cage. ContraPoints does that too. Last but not least, Stray. The cat game, as she calls it. You can spend a good 7 hours there. It's nice when you're already mentally exhausted or do something else and then want to have something to do. Do you have any new hot YouTube tips?

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In this show there are a few swear words and the music that my bot finds is often by tormented souls, by people who don't have it easy. That means the content, small content warning, it's a bit about depression, self-harm and so on. Most of it is in English. Judge for yourself. That's really mean when you say it in English. You already know, right? Turn it off when it doesn't work.

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Is that possible? Because I'm very, very against true crime. Of course.

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an interesting gendered genre that is mostly heard by women. And I... I got carried away when I thought to myself, okay, then I have to give it a chance. Because I don't want to fall into maybe internalized prejudices that I have I just didn't make it. I can't deal with true crime. Crimes are bad, especially when they hit real people. Yeah, yeah. But maybe if there's still make-up on it.

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It sounds like it's at least reasonably packed. Yeah, definitely. Those are all cases. Many cases are simply historical.

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I started listening to a podcast that appears on the iHeartRadio Label Podcast. It's a film podcast and it's called The Bechtel Cast. on the Bechdel test. We don't have to recommend it very much. The Slapshot episode was great. A hockey film. And the iHeartRadio network has a lot of advertising and they also host a lot of true crime podcasts.

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And I have to press the skip button very quickly at the beginning because there is a lot of What is cut out as advertising are the juicy pieces and then there is also the dum-dum laid underneath. Fast, fast, fast through to good content. Don't listen, don't listen, I don't want to hear it. But I definitely give, say it again, who do you have in Poland? Bailey Sarian. I give a chance. Yes, yes.

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I try to tap it into YouTube somehow.

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Oh, oh yeah, okay. Yes, I guess where it's going.

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Yes. Yes, I also became a little snobby. I'm always happy when people, I keep hanging out with people I know and then you hear something and it's just not so well spelled out and then a voice is quiet and my ears are not younger and then I can't hear anything anymore. That's what the guy who does the podcast says, in which you always hear the pops.

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Notgedrungen. Es tut mir leid. Nein, nein. Hunderte an Poplauten. Hunderte. Tausende. Wir hören. Passend. Mhm, I've already noticed. From one of my absolute favorite bands, and I'm always happy when my buddy finds them. And I have to mention again and again how nice it is that they publish under a free license. They are Big Blood from Maine.

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Album, also one of the, if not the best album of them, Do You Wanna Have a Skeleton Dream? We listen to Insecure Kids.

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So, Rachel Underspoon in the background.

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more meaning than the first level, which is just a sub-level.

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Right, yes, yes.

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That's the one right? And back with the Insecure Kids of fantastic science. That's right this time, because Martha is not there. Hey, back here with Reagan and Kuba.

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For entertainment purposes. We heard Big Blood. From the album. Do you have... Do you wanna have a skeleton dream? Do you, Rick? I do. I'm not quite sure. I already had a lot of them. Voice, by the way. Colleen Kinsella. So it's actually Caleb and... No, crap. Here. Colleen and Caleb. A couple. Queenisa Kinsella Mulcairn is her daughter and she's singing now.

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Next spoon adjacent spoon. Yes. Ich habe mich gerade versprochen, es ist nicht Rachel Anderspoon im Hintergrund. Das war Vivian Ash. Aber wir hören gleich weiter ein Song von Rachel Anderspoon, nämlich The Long White Theme. Wir hören uns gleich wieder bei Fantastische Wissenschaftlichkeit auf Radio Blau oder im Podcast.

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And I think she was 13 or something like that. And damn, I'd love to have a voice like that.

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In the background again from you Laika. That sounds right. Hey, that's it for this month at Phantastische Wissenschaftlichkeit. I have to step on the brake so hard every time I say Phantastische Wissenschaftlichkeit. That was better. Rick, vielen Dank, dass du co-hosted hast in dieser Sendung. Gute Besserung an Martha. Yes, gute Besserung. Ich hoffe, wir waren eine würdige Vertretung.

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Yes, yes, yes, yes. I think I was much less smart when Martha was there. I also measure that to say. Wow. Because I pull you down so far that we don't... You know?

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Yes, yes, you can't really point that out intellectually. Yes. Do you want to be found on the internet if people wanted to do that?

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Okay, then that's good.

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Exactly, that's what I often do.

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You could probably also listen to them at any podcasting. Transphilosophisch, great recommendation. Do you have something like an entry-level episode? I try to do my best every time that you can give people a hand. You have one of the 99 where you would say it has a low threshold, but I actually think all of them are relatively low. Accessible, right?

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All right, so just type in transphilosophic happiness, download it. That's it. Thank you for tuning in. We'll see you again in four weeks. You can find us on www.fantastische-wissenschaftlichkeit.de, just the way you say it. To conclude, let's listen to a longer... I think it fits quite well. It's by Mia Aioi. It's called Side C. It's an album of four tracks.

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Side A, B, C and D. I think it's more digital and it's not a real double LP, where there are four tracks. It's more of a virtual tetrahedron.

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Come on with it. Mia Ioioi comes from San Francisco. Has this here under the Creative Commons Attribution Share Alike license published. So also for commercial purposes. I would be careful, because the byline here says, I sampled a lot of shit. That means, probably, when it comes hard to hard, hmm, maybe the samples aren't all cleared. But hey, if you don't say anything, we won't do it either.

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Have fun with the following shows. They'll make it much cleaner. So, thanks for tuning in. Ciao. Ciao, ciao. Have fun.

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You've seen what I did for Rick Ross, my partner. Big shout out to Rick Ross.

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Outro Music

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Cause I like to party.

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Hey, welcome to Fantastische Wissenschaftlichkeit, the show for science fiction and futuristic things that we encounter in everyday life. Science fiction is everywhere and you don't even know it. My name is Kuba and your name is? Rick. It's not Martha. Martha is sick in bed and I got help.

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And back to fantastic science. Here on Radio Blau. That was just Botfly Mother. Song for the Pathetic and Damaged. That's exactly for us. Botfly Mother from Washington, D.C. is called the Bleeding Edge of Trenerco Pop. And all songs are released into the public domain. Copyright is illegitimate. Nice. Ignore the funny little link below.