Last Podcast On The Left
Episode 603: The Black Dahlia Murder Part IV - Exquisite Corpse
Fri, 10 Jan
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The story of The Black Dahlia Murder comes to a close this week as the boys look into one of the most popular suspects in the case: George Hodel, the possibility that the killing had connections to the world of Surrealist Art, "Mind Hunter" John Douglas's theory on the case, as well as the alternative theory that points fingers at a prominent Los Angeles doctor named Walter Bayley. For Live Shows, Merch, and More Visit: www.LastPodcastOnTheLeft.comKevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Subscribe to SiriusXM Podcasts+ to listen to new episodes of Last Podcast on the Left ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.
Chapter 1: What is the introduction to the Black Dahlia Murder?
There's no place to escape to. This is the last. On the left. That's when the cannibalism started. Wow, a lot of people wondered, would they ever record again? Would God stop Last Podcast on the left from happening due to one of his many myriad of mysteries and control of the elements? I think it's Los Angeles trying to keep a wrap on what we got to fucking tell people about.
You know what we got to do? Honestly, we got to move Larry Harnish out of town. Because the fire is coming for Larry Harnish. Save him. Larry Harvey. Someone's got to get the box of papers. He's got a box of papers. He's surrounded by books. He can't be duplicated. Someone go get the black dolly of papers. Sorry, Larry. We got to leave you behind.
Welcome to Last Podcast on the Left, ladies and gentlemen. My name is Marcus Barks. I'm here with the concerned Henry Zebrowski.
Not flammable. Henry Zebrowski can't be set ablaze. We're doing okay. Too wet. All of my horses are safe. Yes.
My alpaca farm is doing so well. Good, good, good.
I let my butlers go. That was like the hardest part was letting them go. I went to the servants quarters and I asked them like, I do feel like you should burn alive with that house. And the head concierge of my foyer, he said, yes, sir. Yes, I agree, sir. But still, I'm against my own better wishes. I let them go. Good.
And I'm almost thinking about, like, I have a personal water reservoir, and I'm thinking about maybe letting the city use it. But I think for now, I'm good to just keep it for my own baths. Yeah, because don't you... Seriously, right?
Because you've got to get that good water, you know?
What do I do with my natural well, my natural water source? I'm using most of that water to perfect my white, white rice recipe. Yeah, which is extremely good. The whitest of all the rice. White, white rice.
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Chapter 2: What are the significant connections between George Hodel and the Black Dahlia case?
Eddie, it's hard. I know you were afraid of clocks in the first place because you don't even like the concept of time. I know, Eddie. You said clock. I know. I'll fucking rip your hand off if you put a watch on it. I know. I'm gonna fucking chew on your fingers. This is just art history, Eddie. Not times. It's not real. You calm down? You good?
Yeah, we're very warm. Yeah, any number under 13 just fucking gets me going. He has a hard time with it. He has a hard time with it. He can't deal. He loves a baker's, doesn't he? But Surrealism, also remember, the goal was to break through. They were having problems with what they viewed as the staid... Yeah. Yeah.
Now, at times, surrealism was an interplay of irrationality, eroticism, and violence. And when it came to women in surrealism, they were rarely displayed as fully human entities in surrealist art.
Rather, the women in surrealist paintings and photography, particularly the works of Man Ray, featured recurring motifs of bisected and fragmented women, just as Elizabeth Short was bisected and fragmented. Now, many of the surrealists were fascinated with violence, both real and imagined.
In the real world, they were captivated by true crime stories, violent accounts of Catholic saints, and Jack the Ripper. But they were also obsessed with the fictional writings of the Marquis de Sade, particularly his unfinished novel, 120 Days of Sodom. Yeah, dude, it's about 30 days too long.
Yeah. You saw Salo, right?
I didn't see Salo.
You've never seen it? No.
Just go take a look at it. I've read graphic representations of 120 Days of Sodom, though. It's fucking foul. Yeah. It's awful.
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