This month, musician Bonnie Raitt and filmmaker Francis Ford Coppola were both honorees of the Kennedy Center for their contributions to American culture. We're revisiting interviews with both of them. First, blues guitarist, singer and songwriter Bonnie Raitt spoke with Terry Gross in 1996 about her early years, finding her blues sound. And Francis Ford Coppola told us in 2016 the story of casting Marlon Brando in The Godfather. And film critic Justin Chang reviews two new movies: The Brutalist and Nickel Boys.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
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This is Fresh Air. I'm David Bianculli. One of this year's Kennedy Center honorees is singer and songwriter Bonnie Raitt. She's a ten-time Grammy Award winner, best known for her soulful voice and her hit singles from the late 1980s, Something to Talk About and I Can't Make You Love Me. She's also known for her depth of knowledge of classic blues.
We're going to listen to Terry's 1996 interview with Raitt. At the time, she had released a live double CD called Road Tested. That collection featured duets with some of the singer-songwriters and rhythm and blues performers who had shaped her musical style. Raitt was a 20-year-old college student when she got to know and learn from them.
Terry invited Bonnie Raitt to bring and play some of the blues recordings that most influenced her. Before we hear them, let's listen to a song from her first album, which was released in 1971. This is the Robert Johnson song, Walking Blues.
Well, you know by that I must have had them walking through.
Bonnie Raitt, welcome to Fresh Air. Hi, Terry. It's a pleasure to be here. You've brought with you some of your favorite recordings, some of the recordings that have really influenced you over the years. So I'd like to start with a recording that you brought by Mississippi Fred McDowell. Write me a few lines. Tell me why you've chosen this. This was recorded in 1964.
Well, I did because I've been performing that song, write me a few of your lines, as well as his Kokomo blues, probably since the first time I met Fred.
I was about 19 in 1969, and he was part of the great blues rediscovery in the 60s of all these traditional Delta bluesmen who a lot of times, like Fred, had spent the last 20 years being farmers and then suddenly were discovered by either British or white college kids coming over that just fell in love. And I... got his record on our Hooley Records and learned the song.
And then I was honored enough to meet him and travel around with him. And I actually opened a lot of shows for him early on when I was still cutting my teeth and right before I got my first record deal. So he's really my favorite and my closest friend, and I miss him a lot.
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