Kevin Whitehead

The orchestra played squalling free jazz barrages and sang genial vocal chants connected with Sun Ra's personal cosmology involving space travel and an interplanetary exodus.

The orchestra played squalling free jazz barrages and sang genial vocal chants connected with Sun Ra's personal cosmology involving space travel and an interplanetary exodus.

June Tyson, longtime singer and costumer for the orchestra, who decked them out in striking, spangled outfits that looked good when the chanting musicians did a ring dance in front of the stage counterclockwise like the ancestors. At the other end of time, Sunrise Keyboard Synthesizer could become a rocket taking off for, and maybe arriving at, a more hospitable planet than this one.

June Tyson, longtime singer and costumer for the orchestra, who decked them out in striking, spangled outfits that looked good when the chanting musicians did a ring dance in front of the stage counterclockwise like the ancestors. At the other end of time, Sunrise Keyboard Synthesizer could become a rocket taking off for, and maybe arriving at, a more hospitable planet than this one.

June Tyson, longtime singer and costumer for the orchestra, who decked them out in striking, spangled outfits that looked good when the chanting musicians did a ring dance in front of the stage counterclockwise like the ancestors. At the other end of time, Sunrise Keyboard Synthesizer could become a rocket taking off for, and maybe arriving at, a more hospitable planet than this one.

This music comes from newly released recordings of Sun Ra in 1978 playing one of the Left Bank Jazz Society's weekly Sunday concerts in Baltimore. Some Left Bank regulars dislike the jazz avant-garde to the point of scolding musicians who went too far. And yet this show was Sun Ra's fifth for the Left Bank in under two years, making him very much a house favorite.

This music comes from newly released recordings of Sun Ra in 1978 playing one of the Left Bank Jazz Society's weekly Sunday concerts in Baltimore. Some Left Bank regulars dislike the jazz avant-garde to the point of scolding musicians who went too far. And yet this show was Sun Ra's fifth for the Left Bank in under two years, making him very much a house favorite.

This music comes from newly released recordings of Sun Ra in 1978 playing one of the Left Bank Jazz Society's weekly Sunday concerts in Baltimore. Some Left Bank regulars dislike the jazz avant-garde to the point of scolding musicians who went too far. And yet this show was Sun Ra's fifth for the Left Bank in under two years, making him very much a house favorite.

He did draw his own audience, but the Left Bank's African-American standbys dug him too, knowing a comic persona and a black carnival act when they saw one. Sun Ra was serious, but it's not like he didn't know he was funny. His wisdom was couched in puns and wordplay. But Sun Ra's warm welcome was really because his rocket to the future flew straight through the jazz of the 1930s and 40s.

He did draw his own audience, but the Left Bank's African-American standbys dug him too, knowing a comic persona and a black carnival act when they saw one. Sun Ra was serious, but it's not like he didn't know he was funny. His wisdom was couched in puns and wordplay. But Sun Ra's warm welcome was really because his rocket to the future flew straight through the jazz of the 1930s and 40s.

He did draw his own audience, but the Left Bank's African-American standbys dug him too, knowing a comic persona and a black carnival act when they saw one. Sun Ra was serious, but it's not like he didn't know he was funny. His wisdom was couched in puns and wordplay. But Sun Ra's warm welcome was really because his rocket to the future flew straight through the jazz of the 1930s and 40s.

Thank you.

Thank you.

Thank you.

I attended a few of Sun Ra's Left Bank concerts, and this one got even odder than usual when documentary filmmaker Bob Muggy's overhead movie lights came up after the first set, as if the gods were checking in from above. Some of Muggy's footage turns up in his fine film Sun Ra, A Joyful Noise.

I attended a few of Sun Ra's Left Bank concerts, and this one got even odder than usual when documentary filmmaker Bob Muggy's overhead movie lights came up after the first set, as if the gods were checking in from above. Some of Muggy's footage turns up in his fine film Sun Ra, A Joyful Noise.

I attended a few of Sun Ra's Left Bank concerts, and this one got even odder than usual when documentary filmmaker Bob Muggy's overhead movie lights came up after the first set, as if the gods were checking in from above. Some of Muggy's footage turns up in his fine film Sun Ra, A Joyful Noise.

In the 70s, Ra started reviving then-obscure 1930s swing tunes by his early idol and one-time employer, bandleader Fletcher Henderson. Those vehicles for trumpet sensation Michael Ray let the orchestra traverse time as well as space. This is Yeah Man.

In the 70s, Ra started reviving then-obscure 1930s swing tunes by his early idol and one-time employer, bandleader Fletcher Henderson. Those vehicles for trumpet sensation Michael Ray let the orchestra traverse time as well as space. This is Yeah Man.

In the 70s, Ra started reviving then-obscure 1930s swing tunes by his early idol and one-time employer, bandleader Fletcher Henderson. Those vehicles for trumpet sensation Michael Ray let the orchestra traverse time as well as space. This is Yeah Man.