Tina Fey

Yeah. It's kind of nice. I think, like, I'm ready to retire, guys. Yeah.

Yeah. It's kind of nice. I think, like, I'm ready to retire, guys. Yeah.

Yeah. It's kind of nice. I think, like, I'm ready to retire, guys. Yeah.

Right. And it's all, you know, nothing compared to someone who's doing all those same work hours on a job that they hate that doesn't pay well.

Right. And it's all, you know, nothing compared to someone who's doing all those same work hours on a job that they hate that doesn't pay well.

Right. And it's all, you know, nothing compared to someone who's doing all those same work hours on a job that they hate that doesn't pay well.

And it's hard to—once you get to stop, it's hard to go back. Like, I've— Worked on a couple things. I did a little small part on this show that Steve Martin and Marty Short have. And it was that thing of like, and your pickup is 510. And you're like, oh, yeah, that used to be every day.

And it's hard to—once you get to stop, it's hard to go back. Like, I've— Worked on a couple things. I did a little small part on this show that Steve Martin and Marty Short have. And it was that thing of like, and your pickup is 510. And you're like, oh, yeah, that used to be every day.

And it's hard to—once you get to stop, it's hard to go back. Like, I've— Worked on a couple things. I did a little small part on this show that Steve Martin and Marty Short have. And it was that thing of like, and your pickup is 510. And you're like, oh, yeah, that used to be every day.

Especially for ladies because the hair and makeup.

Especially for ladies because the hair and makeup.

Especially for ladies because the hair and makeup.

I do like to go to an office.

I do like to go to an office.

I do like to go to an office.

I wonder, I so wonder, it's like that thing of, you know, the improv training, right? You go back to it and it's like, when do you enter a scene? This is the trick, the thing that trips people up. Does anyone remember, like, when are you supposed to enter a scene? And the answer is when you're needed. It's the only time you're supposed to enter.

I wonder, I so wonder, it's like that thing of, you know, the improv training, right? You go back to it and it's like, when do you enter a scene? This is the trick, the thing that trips people up. Does anyone remember, like, when are you supposed to enter a scene? And the answer is when you're needed. It's the only time you're supposed to enter.

I wonder, I so wonder, it's like that thing of, you know, the improv training, right? You go back to it and it's like, when do you enter a scene? This is the trick, the thing that trips people up. Does anyone remember, like, when are you supposed to enter a scene? And the answer is when you're needed. It's the only time you're supposed to enter.

You're not supposed to enter because you have a funny idea. You're not supposed to enter because it's going well and you want a piece of it.

You're not supposed to enter because you have a funny idea. You're not supposed to enter because it's going well and you want a piece of it.