Steve Irwin

If she slowed from 55 to 30, there's brake pressure. And the 255 feet is plenty for her to get that done.

If she slowed from 55 to 30, there's brake pressure. And the 255 feet is plenty for her to get that done.

There's not evidence here that would say Ms. Silkwood was asleep all the way to that headwall. I don't find support for that in the work that I've been able to do. Quite the opposite, it feels like this idea of braking and steering feels pretty well supported by the evidence that we're confident in.

There's not evidence here that would say Ms. Silkwood was asleep all the way to that headwall. I don't find support for that in the work that I've been able to do. Quite the opposite, it feels like this idea of braking and steering feels pretty well supported by the evidence that we're confident in.

The ground can wake her up, right? It's the change in surface as you get off-road. But the idea that she was asleep at the switch the whole way, I don't think is supported by the evidence. And remember, it's the best evidence we have.

The ground can wake her up, right? It's the change in surface as you get off-road. But the idea that she was asleep at the switch the whole way, I don't think is supported by the evidence. And remember, it's the best evidence we have.

Just a simple... absence of control of the vehicle, and it goes left. That is truly just a single-vehicle accident.

Just a simple... absence of control of the vehicle, and it goes left. That is truly just a single-vehicle accident.

This is the area of the car that has caused so much interest with that dent right there.

This is the area of the car that has caused so much interest with that dent right there.

And then to Karen Pipkin alone, there is orange reflections in that bumper. And A.O. Pipkin always wore an orange jumpsuit top to bottom when he was investigating a crash. And so, Karen, I kind of feel like that's your reflection of your dad in that photograph.

And then to Karen Pipkin alone, there is orange reflections in that bumper. And A.O. Pipkin always wore an orange jumpsuit top to bottom when he was investigating a crash. And so, Karen, I kind of feel like that's your reflection of your dad in that photograph.

This dent is less descriptive. It's less intense. It's in kind of a weird spot. It's very low. And it doesn't reflect a high force. My anecdotal description is I could go do this with my foot, so I could kick the back of that car, and I wouldn't move it. I could create the damage, but I wouldn't move the car.

This dent is less descriptive. It's less intense. It's in kind of a weird spot. It's very low. And it doesn't reflect a high force. My anecdotal description is I could go do this with my foot, so I could kick the back of that car, and I wouldn't move it. I could create the damage, but I wouldn't move the car.

Those scratches, to me, there's two things about those areas. Number one, they're scratched, and they're scratched longitudinally, like the scratches kind of go forward on the length of the vehicle.

Those scratches, to me, there's two things about those areas. Number one, they're scratched, and they're scratched longitudinally, like the scratches kind of go forward on the length of the vehicle.

There's evidence that supports the notion that these scratches were created starting from the back and going to the front. So if they were created by a passing vehicle, that vehicle's going faster.

There's evidence that supports the notion that these scratches were created starting from the back and going to the front. So if they were created by a passing vehicle, that vehicle's going faster.

She can't go left until that vehicle's gone.

She can't go left until that vehicle's gone.