Jeremy Strong

In Hamlet, Shakespeare says that use can almost change the stamp of nature, and I feel that actors, especially when you're attempting to do some kind of transformational work, which is the kind of work that I love the most and have been inspired by in my life the most. Your job is to kind of change the stamp of your nature.

In Hamlet, Shakespeare says that use can almost change the stamp of nature, and I feel that actors, especially when you're attempting to do some kind of transformational work, which is the kind of work that I love the most and have been inspired by in my life the most. Your job is to kind of change the stamp of your nature.

And voice is a really key part of that because there's something about a person's voice that is like their eyes. It's such a way in to that person.

And voice is a really key part of that because there's something about a person's voice that is like their eyes. It's such a way in to that person.

And voice is a really key part of that because there's something about a person's voice that is like their eyes. It's such a way in to that person.

I probably watched this a thousand times. Really?

I probably watched this a thousand times. Really?

I probably watched this a thousand times. Really?

I mean, I don't think it's too strong a word, but, you know... You have to really check that at the door as an actor when you approach a role. You have to leave your judgments at the door and try to, in an almost diagnostic way, identify their wounds and their struggle and then fight their fight the way they did.

I mean, I don't think it's too strong a word, but, you know... You have to really check that at the door as an actor when you approach a role. You have to leave your judgments at the door and try to, in an almost diagnostic way, identify their wounds and their struggle and then fight their fight the way they did.

I mean, I don't think it's too strong a word, but, you know... You have to really check that at the door as an actor when you approach a role. You have to leave your judgments at the door and try to, in an almost diagnostic way, identify their wounds and their struggle and then fight their fight the way they did.

I'm simply trying to inhabit him in a fully dimensional way, as you do for any character.

I'm simply trying to inhabit him in a fully dimensional way, as you do for any character.

I'm simply trying to inhabit him in a fully dimensional way, as you do for any character.

Listen, Judy, about 100 reporters were crawling up my ass to get this interview, and I gave you the exclusive.

Listen, Judy, about 100 reporters were crawling up my ass to get this interview, and I gave you the exclusive.

Listen, Judy, about 100 reporters were crawling up my ass to get this interview, and I gave you the exclusive.

Sorry, Judy. Listen, let's do the rest in person and bring a photographer, okay? Sorry. No, I mean, listen, it's your life. You got a ways to go, but you're learning.

Sorry, Judy. Listen, let's do the rest in person and bring a photographer, okay? Sorry. No, I mean, listen, it's your life. You got a ways to go, but you're learning.

Sorry, Judy. Listen, let's do the rest in person and bring a photographer, okay? Sorry. No, I mean, listen, it's your life. You got a ways to go, but you're learning.