Jeremy Strong as Roy Cohn

And they started laughing and then they asked me a few more questions. My answers were really nothing. They were just yes and no answers. And I felt like the comedy would come in watching me think about what I wasn't going to say instead of what I said. Right.

And they started laughing and then they asked me a few more questions. My answers were really nothing. They were just yes and no answers. And I felt like the comedy would come in watching me think about what I wasn't going to say instead of what I said. Right.

Well, there's two different scenarios. When we're just shooting the show and it's a scene, the camera operator is this man named Randall Einhorn. And he's our director of photography. And we will look at him. We'll give him the look or we'll look into the camera at him. And he's become another character or another actor on the show. To us. So we do actually act with him. And it's really cute.

Well, there's two different scenarios. When we're just shooting the show and it's a scene, the camera operator is this man named Randall Einhorn. And he's our director of photography. And we will look at him. We'll give him the look or we'll look into the camera at him. And he's become another character or another actor on the show. To us. So we do actually act with him. And it's really cute.

Well, there's two different scenarios. When we're just shooting the show and it's a scene, the camera operator is this man named Randall Einhorn. And he's our director of photography. And we will look at him. We'll give him the look or we'll look into the camera at him. And he's become another character or another actor on the show. To us. So we do actually act with him. And it's really cute.

Whenever Pam smiles at the camera, Randall can't help but smile back. The man, Randall, smiles at you while he's holding the camera. And there are scenes that we've done that have been really touching. And you'll look at Randall and he'll be sort of teared up. And when we shoot our talking heads, our interview segments, the director of the episode serves as our documentarian for that week.

Whenever Pam smiles at the camera, Randall can't help but smile back. The man, Randall, smiles at you while he's holding the camera. And there are scenes that we've done that have been really touching. And you'll look at Randall and he'll be sort of teared up. And when we shoot our talking heads, our interview segments, the director of the episode serves as our documentarian for that week.

Whenever Pam smiles at the camera, Randall can't help but smile back. The man, Randall, smiles at you while he's holding the camera. And there are scenes that we've done that have been really touching. And you'll look at Randall and he'll be sort of teared up. And when we shoot our talking heads, our interview segments, the director of the episode serves as our documentarian for that week.

some of the directors, we have them back again and again and again. And one director we're particularly attached to is Ken Kwapis. He directed our very first episode and he comes back every year and directs a couple of episodes. And last year he directed the finale. And he's always taken a particular interest in Pam and her journey. So I feel very close to him. And

some of the directors, we have them back again and again and again. And one director we're particularly attached to is Ken Kwapis. He directed our very first episode and he comes back every year and directs a couple of episodes. And last year he directed the finale. And he's always taken a particular interest in Pam and her journey. So I feel very close to him. And

some of the directors, we have them back again and again and again. And one director we're particularly attached to is Ken Kwapis. He directed our very first episode and he comes back every year and directs a couple of episodes. And last year he directed the finale. And he's always taken a particular interest in Pam and her journey. So I feel very close to him. And

In that moment when Jim burst into the conference room while Pam's giving an interview and he finally asks her out on a date. I turned to the camera, and in the moment that they used, I'm sort of tearing up. And the reason that I teared up was because when I looked back at the camera, I saw Ken Kwapis, and his eyes were full of tears.

In that moment when Jim burst into the conference room while Pam's giving an interview and he finally asks her out on a date. I turned to the camera, and in the moment that they used, I'm sort of tearing up. And the reason that I teared up was because when I looked back at the camera, I saw Ken Kwapis, and his eyes were full of tears.

In that moment when Jim burst into the conference room while Pam's giving an interview and he finally asks her out on a date. I turned to the camera, and in the moment that they used, I'm sort of tearing up. And the reason that I teared up was because when I looked back at the camera, I saw Ken Kwapis, and his eyes were full of tears.

And he smiled at me and gave me a little wink, like, that's right, you finally got what you wanted, sweetie. And it just, oh, it was a really powerful moment between me and the director.

And he smiled at me and gave me a little wink, like, that's right, you finally got what you wanted, sweetie. And it just, oh, it was a really powerful moment between me and the director.

And he smiled at me and gave me a little wink, like, that's right, you finally got what you wanted, sweetie. And it just, oh, it was a really powerful moment between me and the director.

Yes. When it came down to the end of the audition process, they took four Pams and four Jims and four Dwights and four Michaels, and they brought us into a real office, and they filmed us with a camera for two days, mixing and matching us. And over the course of that two days, I was mixed and matched with John several times.

Yes. When it came down to the end of the audition process, they took four Pams and four Jims and four Dwights and four Michaels, and they brought us into a real office, and they filmed us with a camera for two days, mixing and matching us. And over the course of that two days, I was mixed and matched with John several times.

Yes. When it came down to the end of the audition process, they took four Pams and four Jims and four Dwights and four Michaels, and they brought us into a real office, and they filmed us with a camera for two days, mixing and matching us. And over the course of that two days, I was mixed and matched with John several times.