Jane

Well, I thought it was going to tie into Verso, Renoir.

Well, I thought it was going to tie into Verso, Renoir.

My initial impression was that there's some sort of time thing, and Renoir is older Gustav.

My initial impression was that there's some sort of time thing, and Renoir is older Gustav.

My initial impression was that there's some sort of time thing, and Renoir is older Gustav.

And there's something about that where older Gustav, who has lived in this world, is trying to stop... Ultimately, killing younger Gustav is better than allowing him to live in whatever... That's kind of where my brain was going. Yeah, exactly. Exactly.

And there's something about that where older Gustav, who has lived in this world, is trying to stop... Ultimately, killing younger Gustav is better than allowing him to live in whatever... That's kind of where my brain was going. Yeah, exactly. Exactly.

And there's something about that where older Gustav, who has lived in this world, is trying to stop... Ultimately, killing younger Gustav is better than allowing him to live in whatever... That's kind of where my brain was going. Yeah, exactly. Exactly.

You know, I actually, I had the opposite opinion. I, I kind of was really growing on Gustav. If nothing, if for nothing else, then I really loved the interactions between him and Sophie, where it was like, clearly there's something here that failed, but there's like a lot of reminiscent love and, and, and stuff.

You know, I actually, I had the opposite opinion. I, I kind of was really growing on Gustav. If nothing, if for nothing else, then I really loved the interactions between him and Sophie, where it was like, clearly there's something here that failed, but there's like a lot of reminiscent love and, and, and stuff.

You know, I actually, I had the opposite opinion. I, I kind of was really growing on Gustav. If nothing, if for nothing else, then I really loved the interactions between him and Sophie, where it was like, clearly there's something here that failed, but there's like a lot of reminiscent love and, and, and stuff.

And then when, when Sophie died, it was just brutal, you know, right for me, right out of the gate. And so I, uh, I had stake in Gustav that I didn't immediately have in Verso. Once Gustav died and at the end of Act 1, there was the scene where Mael, she witnesses Gustav being killed. And then there's the sort of chemistry, if you'd call it that, between her and Renoir.

And then when, when Sophie died, it was just brutal, you know, right for me, right out of the gate. And so I, uh, I had stake in Gustav that I didn't immediately have in Verso. Once Gustav died and at the end of Act 1, there was the scene where Mael, she witnesses Gustav being killed. And then there's the sort of chemistry, if you'd call it that, between her and Renoir.

And then when, when Sophie died, it was just brutal, you know, right for me, right out of the gate. And so I, uh, I had stake in Gustav that I didn't immediately have in Verso. Once Gustav died and at the end of Act 1, there was the scene where Mael, she witnesses Gustav being killed. And then there's the sort of chemistry, if you'd call it that, between her and Renoir.

At that point, to me, it became the story of Mael and Renoir. And the other characters were supporting characters, including Verso.

At that point, to me, it became the story of Mael and Renoir. And the other characters were supporting characters, including Verso.

At that point, to me, it became the story of Mael and Renoir. And the other characters were supporting characters, including Verso.

Yeah, well, I think they did a really good job of foreshadowing a lot of this stuff without really selling the farm. There is a line of dialogue early in Act 1 where they say the paintress almost looks sad. And I was like, there's something to that. And then even as you kind of get closer and closer to the monolith, she is not, like, physically positioned in a stance of power.

Yeah, well, I think they did a really good job of foreshadowing a lot of this stuff without really selling the farm. There is a line of dialogue early in Act 1 where they say the paintress almost looks sad. And I was like, there's something to that. And then even as you kind of get closer and closer to the monolith, she is not, like, physically positioned in a stance of power.

Yeah, well, I think they did a really good job of foreshadowing a lot of this stuff without really selling the farm. There is a line of dialogue early in Act 1 where they say the paintress almost looks sad. And I was like, there's something to that. And then even as you kind of get closer and closer to the monolith, she is not, like, physically positioned in a stance of power.