Adam Moss

I think of all of this as ways of talking to yourself, as ways of translating what your imagination produces.

I think of all of this as ways of talking to yourself, as ways of translating what your imagination produces.

I think of all of this as ways of talking to yourself, as ways of translating what your imagination produces.

Whatever lessons I might have gotten from my own magazine life that might apply to my painting life, I didn't.

Whatever lessons I might have gotten from my own magazine life that might apply to my painting life, I didn't.

Whatever lessons I might have gotten from my own magazine life that might apply to my painting life, I didn't.

When I thought I wanted to paint, I was up in Cape Cod, a place, and without any schooling whatsoever, didn't know how to do a thing. My schooling was really when I went to buy paints, I talked to the salesperson and asked them how this worked. I didn't understand what a medium was. I didn't understand any of it.

When I thought I wanted to paint, I was up in Cape Cod, a place, and without any schooling whatsoever, didn't know how to do a thing. My schooling was really when I went to buy paints, I talked to the salesperson and asked them how this worked. I didn't understand what a medium was. I didn't understand any of it.

When I thought I wanted to paint, I was up in Cape Cod, a place, and without any schooling whatsoever, didn't know how to do a thing. My schooling was really when I went to buy paints, I talked to the salesperson and asked them how this worked. I didn't understand what a medium was. I didn't understand any of it.

Nevertheless, I had this idea that I would do a painting a day, and that's what I did. One day I'd do a flower, and then the other day I'd do some crazy, stupid abstract, and then I would just make an effort at doing a person or something. The whole idea was that at the end of the day, painting would be finished and thrown away and started over. It was fun.

Nevertheless, I had this idea that I would do a painting a day, and that's what I did. One day I'd do a flower, and then the other day I'd do some crazy, stupid abstract, and then I would just make an effort at doing a person or something. The whole idea was that at the end of the day, painting would be finished and thrown away and started over. It was fun.

Nevertheless, I had this idea that I would do a painting a day, and that's what I did. One day I'd do a flower, and then the other day I'd do some crazy, stupid abstract, and then I would just make an effort at doing a person or something. The whole idea was that at the end of the day, painting would be finished and thrown away and started over. It was fun.

Came back, and I thought that was the end of it. I thought it was just a sort of fun little summer thing. And a friend of mine said, well, you really seem to have liked it. You really should get some training. She then connected me up with the head of painting, I think, at the Yale School of Art. I can hear many listeners' heads exploding. First teacher, head of painting, Yale School of Art.

Came back, and I thought that was the end of it. I thought it was just a sort of fun little summer thing. And a friend of mine said, well, you really seem to have liked it. You really should get some training. She then connected me up with the head of painting, I think, at the Yale School of Art. I can hear many listeners' heads exploding. First teacher, head of painting, Yale School of Art.

Came back, and I thought that was the end of it. I thought it was just a sort of fun little summer thing. And a friend of mine said, well, you really seem to have liked it. You really should get some training. She then connected me up with the head of painting, I think, at the Yale School of Art. I can hear many listeners' heads exploding. First teacher, head of painting, Yale School of Art.

Well, no, she wasn't my teacher. She had a student who had just graduated who she thought was really good. Her name was Maria De Los Angeles, and she's in the book. She is a beautiful artist, but also a really lovely person. She would just come over to my house. She taught me how to draw and she taught me how to paint at the beginning.

Well, no, she wasn't my teacher. She had a student who had just graduated who she thought was really good. Her name was Maria De Los Angeles, and she's in the book. She is a beautiful artist, but also a really lovely person. She would just come over to my house. She taught me how to draw and she taught me how to paint at the beginning.

Well, no, she wasn't my teacher. She had a student who had just graduated who she thought was really good. Her name was Maria De Los Angeles, and she's in the book. She is a beautiful artist, but also a really lovely person. She would just come over to my house. She taught me how to draw and she taught me how to paint at the beginning.

It wasn't a particularly structured learning process, but she was my friend, my painting friend. Was it built around ideas or mostly execution technique, etc. ? There was a certain amount of technique. There was a lot of just helping me find my confidence as a painter. And there was just a certain kindness that I found empowering and a sense that she had that I had something to make.

It wasn't a particularly structured learning process, but she was my friend, my painting friend. Was it built around ideas or mostly execution technique, etc. ? There was a certain amount of technique. There was a lot of just helping me find my confidence as a painter. And there was just a certain kindness that I found empowering and a sense that she had that I had something to make.