Accidental Tech Podcast
610: More Values in the Darkness
Marco Arment
It's the most noticeable, or excuse me, it is most noticeable on smooth gradients such as skies, but also architecture. Even P3 hits the upper bounds of eight bits. With today's tech, there really is no point shooting in limited JPEG. Modern Sonys can even shoot 10-bit HEK. But RAW is always preferred for portability.
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