Tal Wilkenfeld

Yeah. It was cool. It was, it was a very healing birthday party. Yeah.

Yeah, well, the mothership has some magic to it too. It's really cool. It's different, totally different vibe, but like super awesome.

Yeah, well, the mothership has some magic to it too. It's really cool. It's different, totally different vibe, but like super awesome.

Yeah, well, the mothership has some magic to it too. It's really cool. It's different, totally different vibe, but like super awesome.

Great. I love that song.

Great. I love that song.

Great. I love that song.

Yeah, but as a whole piece, I appreciate it so much. I actually lived at the Chelsea Hotel, and when Leonard and I first met, That was one of the first things we talked about was, you know, I lived there where all that stuff went down before they tore it apart. And, yeah, it's just a beautiful song.

Yeah, but as a whole piece, I appreciate it so much. I actually lived at the Chelsea Hotel, and when Leonard and I first met, That was one of the first things we talked about was, you know, I lived there where all that stuff went down before they tore it apart. And, yeah, it's just a beautiful song.

Yeah, but as a whole piece, I appreciate it so much. I actually lived at the Chelsea Hotel, and when Leonard and I first met, That was one of the first things we talked about was, you know, I lived there where all that stuff went down before they tore it apart. And, yeah, it's just a beautiful song.

Yeah.

Yeah.

Yeah.

It could be both or either, you know? I mean, that's the beautiful thing about poetry and lyric is that it's supposed to be open.

It could be both or either, you know? I mean, that's the beautiful thing about poetry and lyric is that it's supposed to be open.

It could be both or either, you know? I mean, that's the beautiful thing about poetry and lyric is that it's supposed to be open.

Definitely. I mean, the thing that he taught me or his advice to me was when you're writing a song, look at it the next morning, like just first thing and read it and then take a walk, smoke a joint, read it again. Go have a fight with your, you know, daughter. Come back. Read it again. Get drunk. Read it again. Wait a week. Read it again.

Definitely. I mean, the thing that he taught me or his advice to me was when you're writing a song, look at it the next morning, like just first thing and read it and then take a walk, smoke a joint, read it again. Go have a fight with your, you know, daughter. Come back. Read it again. Get drunk. Read it again. Wait a week. Read it again.

Definitely. I mean, the thing that he taught me or his advice to me was when you're writing a song, look at it the next morning, like just first thing and read it and then take a walk, smoke a joint, read it again. Go have a fight with your, you know, daughter. Come back. Read it again. Get drunk. Read it again. Wait a week. Read it again.

Just so that, you know, from every state and every position, the wider the lens is going to be from an audience perspective. You want things to mean multiple things.