Jeremy Strong

Thank you, Terry. I'm honored to be talking to you. Thanks for having me.

Thank you, Terry. I'm honored to be talking to you. Thanks for having me.

Thank you, Terry. I'm honored to be talking to you. Thanks for having me.

Yeah, you know, I'll just say I haven't watched the film in a while. And hearing that scene back, it's really so charged, isn't it? And Roy, in that scene, encapsulates the playbook, which the film examines the idea that, you know, what Roy Cohn stood for, these principles that he passed on to Donald Trump, always attack, deny everything, and never admit defeat.

Yeah, you know, I'll just say I haven't watched the film in a while. And hearing that scene back, it's really so charged, isn't it? And Roy, in that scene, encapsulates the playbook, which the film examines the idea that, you know, what Roy Cohn stood for, these principles that he passed on to Donald Trump, always attack, deny everything, and never admit defeat.

Yeah, you know, I'll just say I haven't watched the film in a while. And hearing that scene back, it's really so charged, isn't it? And Roy, in that scene, encapsulates the playbook, which the film examines the idea that, you know, what Roy Cohn stood for, these principles that he passed on to Donald Trump, always attack, deny everything, and never admit defeat.

They're all kind of the DNA of that scene. It contains all of them. It's a great introduction of a character. But your question about playing historical figures, you know, I've done a fair amount of work playing people who, you know, were either alive or were historical figures. John Nicolay in Lincoln, James Reeb.

They're all kind of the DNA of that scene. It contains all of them. It's a great introduction of a character. But your question about playing historical figures, you know, I've done a fair amount of work playing people who, you know, were either alive or were historical figures. John Nicolay in Lincoln, James Reeb.

They're all kind of the DNA of that scene. It contains all of them. It's a great introduction of a character. But your question about playing historical figures, you know, I've done a fair amount of work playing people who, you know, were either alive or were historical figures. John Nicolay in Lincoln, James Reeb.

in selma jerry rubin in in the charlotte chicago seven lee harvey oswald um i feel always a an enormous sense of responsibility to a kind of historical veracity and accuracy to try and capture and render the essence of these people. And ultimately, it's not an intellectual, you're not writing an essay on someone. So the information is sort of emotional, intuitive, visceral information.

in selma jerry rubin in in the charlotte chicago seven lee harvey oswald um i feel always a an enormous sense of responsibility to a kind of historical veracity and accuracy to try and capture and render the essence of these people. And ultimately, it's not an intellectual, you're not writing an essay on someone. So the information is sort of emotional, intuitive, visceral information.

in selma jerry rubin in in the charlotte chicago seven lee harvey oswald um i feel always a an enormous sense of responsibility to a kind of historical veracity and accuracy to try and capture and render the essence of these people. And ultimately, it's not an intellectual, you're not writing an essay on someone. So the information is sort of emotional, intuitive, visceral information.

Absolutely. Yes, I absolutely feel a sort of fidelity to truth with a capital T, which is funny in this case, because Roy Cohn, if he's anything, to me, he's like the progenitor of alternative facts. He's like not someone who really espoused truth with a capital T. He thought truth was a plaything that you could do as you wish with it.

Absolutely. Yes, I absolutely feel a sort of fidelity to truth with a capital T, which is funny in this case, because Roy Cohn, if he's anything, to me, he's like the progenitor of alternative facts. He's like not someone who really espoused truth with a capital T. He thought truth was a plaything that you could do as you wish with it.

Absolutely. Yes, I absolutely feel a sort of fidelity to truth with a capital T, which is funny in this case, because Roy Cohn, if he's anything, to me, he's like the progenitor of alternative facts. He's like not someone who really espoused truth with a capital T. He thought truth was a plaything that you could do as you wish with it.

Yeah, a book about Roger Ailes.

Yeah, a book about Roger Ailes.

Yeah, a book about Roger Ailes.

Well, no, I mean, it's also about Murdoch. But of course, I read that book when I was working on Succession because... You know, during that time.

Well, no, I mean, it's also about Murdoch. But of course, I read that book when I was working on Succession because... You know, during that time.